Speed Racer

The audiovisual side of the movie is simply unbelievable. Painstaking racing scenes interspersed with a conflict between a family firm and a megalomaniac corporation represented by the slippery Roger Allam. Emile Hirsch gave a great performance in the role of Speed and I was equally surprised by Matthew Fox as the mysterious Racer X. Playful, sweet and funny (unfortunately sometimes too much so). Great for kids, remarkably digestible for adults. (05/23/2008)

Brilliant! It’s a pity that the visionary visuals and direction of the Wachowskis is ruined by excessive childishness. I would throw the characters of the little brother and the chimp out of a skyscraper window, then I would scrape them from the street, bring them back up and throw them out again. But whatever, Speed Racer is an extraordinary and unique film and I can accept a couple of defects for all that beauty. (06/30/2011)

I hereby accuse the Wachowskis of illicit visual exhibitionism and wasting their enormous storytelling talents on a subject so predictable and bound by the conventions of the cheapest family pathos. On the other hand, it is very rare (if not impossible) to see a film that captivates and engrosses the viewer with its original visuals and absolutely ingenious spatio-temporal construction, so much that you want to remain a part of the "cheap and stupid" and, above all, incredibly rich fictional world that is presented at a tremendous pace and on a voluminous plot. The first 15 minutes represent one of the most beautiful narrative stretches in the history of cinema, while the rest of the film never ceases to surprise with an avalanche of revolutionary filmmaking ideas and bold decisions that, as we can see, have no chance of bridging the model habits of a significant part of the viewing public. But that's okay, great films have always stirred controversy and greatness is relative, and Speed Racer – a bold experiment with its own stylistic elements, an infinitely energetic tide with fade in effects at the level of shots, genres, narrative approaches and the cinematic underworld of the Wachowskis as such – is undoubtedly a tremendous film, deserving of detailed analysis to defend its rejected systemic modes and rules. Maybe some day, further screenings are unavoidable. (11/01/2016)

Races: Perfect spectacle, eyes are amazed, adrenaline rises and I grip the steering wheel subconsciously and step on the pedal. Dialogues, funny scenes, and the rest: Disappointment and often unexpected suffering. Parents try, my brother rolls his eyes, and Trixie, as a lovely sexy figure, winks her eyes and helps the main hero. And meanwhile, I pray for someone to step on that pedal again. It is truly a very uneven mixture, you climb into Speed's cockpit and you still don't get under his skin even for a bit throughout the two hours. And at that moment, any possible enthusiasm for the film as a whole ends for me. Visual orgy on a zero background. This is supposedly how films should look in the future. I think (and I strongly hope) not. P.S.: Big plus for the mysterious Matthew Fox, who can create a deep character out of anything. (05/31/2008)

Beautifully kinetic, not only via movement on the screen, but also the movement around the story. Had I seen it as a child, my brain would have blown out of my nose. Anyway, it is elegant, funny, confidently told and poetically boyish with its pastel-manga-coloring book-family-chimpy style. Even the clichés that sometimes irritate me are completely smooth and high-octane in this cheeky injection. WW may be ahead of their time, or maybe they missed it completely, but to hell with the times, I watch movies and this one works better than any 3D prefabricated product. The added dimension of Speed Racer is probably the art of listening to a complex but completely effective machine for a simple story. Family movies have always bored me. Now I know why. None of them look like Speed Racer. (11/21/2012)