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After a catastrophic crash on an unknown planet, pilot Mills (Adam Driver) quickly discovers he’s actually stranded on Earth…65 million years ago. Now, with only one chance at rescue, Mills and the only other survivor, Koa (Ariana Greenblatt), must make their way across an unknown terrain riddled with dangerous prehistoric creatures in an epic fight to survive. (Sony Pictures)
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Reviews (11)
Great premise! I wanted to see something like this, as a kid, 25 years ago. 65 had more potential. So many great possibilities. It could have been a solid survival drama, a horror film, an action flick for the brainless, but it's everything and nothing at the same time. It’s not bad, but not great either. There are few dinosaurs and the aliens sometimes behave like very stupid earthlings. Driver is good, but what’s the point when he doesn’t have much to work with. Beck and Woods wasted an opportunity and we won't see something like this in the cinema for a long time.
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As a lover of dinosaurs and a die-hard fan of Jurassic Park, I'm always happy with the release of a film with these overgrown lizards that doesn't fall under the aforementioned "universe" – and there are very few such films. The final product, although it brings down the initial expectations a bit, still stays within the average and thanks to the reasonable running time it hardly gets boring. The purpose of the space mission is admittedly stripped down, and the family storyline felt futile, but thankfully the film primarily concentrates on the struggle to survive on Earth 65 million years ago. (Spoiler alert!) The scenes with the dinosaurs were satisfactory, especially the cave sequence, which makes imaginative use of a motion sensor, and the final confrontation between Mills and a sort of hybrid of a T-Rex and a dog. Although it is predictable, you already know from the title and at the latest with the first shot of the sky what moment the Earth is in, I had fun watching it in the cinema and the ninety minutes were perfectly adequate.
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An advanced civilization embarking on interplanetary journeys, yet they have their tools tossed in a drawer in a workshop? And when things get tough, their representative pulls out a 100 feet of rope from a marshal's bag? Was the rope on board in case they needed to tow another spaceship? Did we adopt our units of time and length from them? And what about that sharp bone smeared with red berry juice—will its moment ever come? What a geyser! Scott Beck and Bryan Woods might have been handed this as a reward for A Quiet Place, but for the audience, it’s more like a punishment. Just like in Haunt, the problem lies with the editing and the continuity of the scenes; the tension is nonexistent, and the idiocy is cranked up to the max. I was expecting Adam Driver to step on a mosquito and alter history, but considering the origins of his character, that wouldn’t have provided the right backdrop of determinism. So, in the end, he only stumbled with his choice of role... well, let’s say he missed the mark.
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65 reasons why we can skip this movie. My interest in the film waned as quickly as it grew after watching the fantastic trailer, and that is a big problem. The story is naught, but I wasn't expecting that here. What I instead expected and wanted was a visual orgy, dinosaur fights and a great Adam Driver in the lead role, but the action is boring to the point of being horrible, the scenery doesn't dazzle, there is no spectacular sci-fi to speak off, and in a field of such a bland film and such a flat character, even Driver has nothing to work with. And the fact that the film doesn’t even tell us WHAT and WHY is actually going on here doesn't add much to the rating either. The second star is actually only for the fact that at least the dinosaurs look pretty decent and don't look like cheap CGI, otherwise it's a completely pointless, uninnovative and skippable flick…
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I only knew about this movie from a brief description on HBO. I was excited about a sci-fi survival story from the Jurassic era, but ended up disappointed. The aliens didn't visually differ much from our current population, and some even spoke English (which would undoubtedly impress Al Murray/Pub Landlord). Instead of survival, it felt more like babysitting, and instead of scientific fiction, it emphasized true family values. All things considered, it was more of a family movie that would probably thrill children up to ten years old, but for me, it felt like a bit of a slog, especially when logic had to be set aside most of the time. / Lesson learned: If you allow your spaceship to be destroyed by unruly asteroids, at least make sure it happens above a conveniently inhabited planet with a breathable atmosphere.
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