Directed by:
Tommy WirkolaCinematography:
Matthew WestonComposer:
Christian WibeCast:
Noomi Rapace, Aksel Hennie, Atle Antonsen, André Eriksen, Christian Rubeck, Stig Frode Henriksen, Nils Ole Oftebro, Tor Erik Gunstrøm, Kristoffer Jørgensen (more)VOD (1)
Plots(1)
Lars (Aksel Hennie) and Lisa (Noomi Rapace) have lost much of the love that brought them together in the first place. Now, they're struggling to maintain their marriage, and their ambitions. Lars' career as a director has stalled out in soap operas, and Lisa hasn't landed a part in years. Lars feels ignored, suspects he's being cheated on, and struggles financially. Lisa thinks Lars is a spoiled, self-centered coward. Nothing about their lives turned out the way they'd thought it would – their marriage least of all. So a weekend trip to the family cabin in the woods seems to offer them both an opportunity to get rid of the other. Permanently. But not even this goes according to plan. The trip involves more surprises and unforeseen turns of events than they'd imagined. (Netflix)
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Reviews (9)
When I saw the director - Tommy Wirkola - I had no doubt that this film would be fantastic. A beautiful trip about two people who go to a cabin to kill each other, and a series of unexpected absurd situations eventually create a real fight for survival. I really enjoyed it. It reminded me of a beautiful collection of absurdly entertaining scenes like in The Dead Don't Die, which is the absolute peak of similar films for me. I just missed a more impactful soundtrack. Then I would give it the fifth star and I wouldn't even blink. Noomi Rapace and Aksel Hennie are excellent, however.
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Tommy Wirkola handles marital crises differently than Woody Allen. He’s just as entertaining and creative, but a whole lot different. Which reminded me of why I so much enjoy well-made movies by skilled filmmakers who enjoy doing their work and mean well by us viewers. The Trip is a Norwegian version of American genre flicks where everything gets unexpectedly complicated and the blood flows. This film is very darkly humorous and serious, grotesquely brutal with heart. The subject matter is not entirely original, but the characters and their sweaters are. Despite its initial simplicity, the film turns out to be beautifully edited and increasingly suspenseful precisely as the satisfied viewer demands. The cast is outstanding!
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I had fun, but during the final half hour, which just stretched everything unnecessarily, I got over my enjoyment. If they could manage to condense the story more and the film was 30 minutes shorter, I would definitely be happier. Either way, this silliness is worth seeing, whether you're a fan of Tommy Wirkola, Noomi Rapace or just this quirky "Tarantino-light" genre.
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An excellent film that will have you laughing out loud, unless you’re a sensitive person in which case it’ll make you sick to your stomach. The Norwegian filmmakers went all out and punched up what could have been a run-of-the-mill home invasion so well that it would make even Quentin Tarantino proud. But he probably would have wished there were two hours more of talking:-) It was a very violent film, parts of human anatomy were cruelly cut, stabbed, shot, chopped, torn, and shattered, lying around in both a solid and a semi-liquid state, and yet there was still room for a considerable amount of quality (mostly black) humor. If Noomi Rapace's character hadn’t exhibited T-1000 resistance, I would have given the movie five stars. But it still deserves a strong four. 4*+
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A cynical comedy, subversive and bloody, thanks to Wirkola. After years of marriage, a married couple can’t stand being together after all these years and so each of them invites the other to their country cottage with the aim of killing them. Rapace is splendidly two-faced and Hennie’s transformation over the course of the second half is worthy of praise. The occasional explanatory asides that this movie is peppered with don’t seem to be cheap helpers, but carry a large portion of typical Norwegian humor inside them. The ending is a perfect reflection of today’s society.
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