Directed by:
Tommy WirkolaCinematography:
Matthew WestonComposer:
Christian WibeCast:
Noomi Rapace, Aksel Hennie, Atle Antonsen, André Eriksen, Christian Rubeck, Stig Frode Henriksen, Nils Ole Oftebro, Tor Erik Gunstrøm, Kristoffer Jørgensen (more)VOD (1)
Plots(1)
Lars (Aksel Hennie) and Lisa (Noomi Rapace) have lost much of the love that brought them together in the first place. Now, they're struggling to maintain their marriage, and their ambitions. Lars' career as a director has stalled out in soap operas, and Lisa hasn't landed a part in years. Lars feels ignored, suspects he's being cheated on, and struggles financially. Lisa thinks Lars is a spoiled, self-centered coward. Nothing about their lives turned out the way they'd thought it would – their marriage least of all. So a weekend trip to the family cabin in the woods seems to offer them both an opportunity to get rid of the other. Permanently. But not even this goes according to plan. The trip involves more surprises and unforeseen turns of events than they'd imagined. (Netflix)
(more)Reviews (9)
An excellent film that will have you laughing out loud, unless you’re a sensitive person in which case it’ll make you sick to your stomach. The Norwegian filmmakers went all out and punched up what could have been a run-of-the-mill home invasion so well that it would make even Quentin Tarantino proud. But he probably would have wished there were two hours more of talking:-) It was a very violent film, parts of human anatomy were cruelly cut, stabbed, shot, chopped, torn, and shattered, lying around in both a solid and a semi-liquid state, and yet there was still room for a considerable amount of quality (mostly black) humor. If Noomi Rapace's character hadn’t exhibited T-1000 resistance, I would have given the movie five stars. But it still deserves a strong four. 4*+
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Tommy Wirkola handles marital crises differently than Woody Allen. He’s just as entertaining and creative, but a whole lot different. Which reminded me of why I so much enjoy well-made movies by skilled filmmakers who enjoy doing their work and mean well by us viewers. The Trip is a Norwegian version of American genre flicks where everything gets unexpectedly complicated and the blood flows. This film is very darkly humorous and serious, grotesquely brutal with heart. The subject matter is not entirely original, but the characters and their sweaters are. Despite its initial simplicity, the film turns out to be beautifully edited and increasingly suspenseful precisely as the satisfied viewer demands. The cast is outstanding!
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When I saw the director - Tommy Wirkola - I had no doubt that this film would be fantastic. A beautiful trip about two people who go to a cabin to kill each other, and a series of unexpected absurd situations eventually create a real fight for survival. I really enjoyed it. It reminded me of a beautiful collection of absurdly entertaining scenes like in The Dead Don't Die, which is the absolute peak of similar films for me. I just missed a more impactful soundtrack. Then I would give it the fifth star and I wouldn't even blink. Noomi Rapace and Aksel Hennie are excellent, however.
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We already know that Tommy Wirkola is talented and even though this time he chose a more intimate film than his previous works, it works well, even if I have minor complaints. It's a bit of a variation on the Russian film Why Don't You Just Die!, but more in tone, style and brutality than in concept. A married couple go to a cabin with the intention of killing each other, and this is complicated by an unexpected visit from three idiots. The pacing is slower and the humour works about halfway. It's a kind of adult humour where serious topics are discussed with a light and black-humored tone so it depends on taste, I would have liked something a little different and would definitely have cut the film by about 30 minutes. When it came to the violence, however, Wirkola is nicely brutal, spares no great ideas and makes great use of all the tools around him (though there are a couple of sequences that are just a tease, like the one with the shotgun and the one with the lawnmower). Overall, decent and entertaining, but I was slightly hoping to be a bit more satisfied. Story 3/5, Action 4/5, Humor 3/5, Violence 4/5, Fun 4/5 Music 3/5, Visuals 3/5, Atmosphere 4/5, Suspense 3/5, Emotion 3/5, Actors 3/5. 7/10.
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Check it out, it's really funny, he said. And although it's not a comedy the way I normally think of them, he was right. The comic aspect here, among other things, works brilliantly. The characters are likable and lukewarm at the same time, making for a rather unique spectacle that you definitely don't want to walk away from.
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A cynical comedy, subversive and bloody, thanks to Wirkola. After years of marriage, a married couple can’t stand being together after all these years and so each of them invites the other to their country cottage with the aim of killing them. Rapace is splendidly two-faced and Hennie’s transformation over the course of the second half is worthy of praise. The occasional explanatory asides that this movie is peppered with don’t seem to be cheap helpers, but carry a large portion of typical Norwegian humor inside them. The ending is a perfect reflection of today’s society.
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I had fun, but during the final half hour, which just stretched everything unnecessarily, I got over my enjoyment. If they could manage to condense the story more and the film was 30 minutes shorter, I would definitely be happier. Either way, this silliness is worth seeing, whether you're a fan of Tommy Wirkola, Noomi Rapace or just this quirky "Tarantino-light" genre.
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The Trip is a relationship therapy performed by Norwegian butcher Tommy Wirkola. It's funny, apt, it's set in an amazing environment and it's totally over the top at times. A very refreshing movie.
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I'm quite familiar with Tommy Wirkola’s work, so I knew what to expect. Norwegian filmmakers have repeatedly shown that black humor is their forte, and The Trip is no exception. I must particularly praise the cast. The duo of Noomi Rapace and Aksel Hennie, delivered an incredibly entertaining performance, with their lines being sharp and meticulously crafted. The first half of the film has a slower pace, but once it gets going, it truly ignites into an inferno! From that point on, prepare for a bloodbath. I enjoyed the central subplot involving the prisoners; their interaction with the main characters brought fresh energy to the film. However, I won’t rate it higher because the very end felt like the creators were running out of steam. Still, it’s a fantastic addition to the genre of bloody black comedies. For me, it’s a 7.5/10.
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