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Driving across endless miles of rugged landscape, a family navigates a long road trip alongside a range of conflicting emotions. Dad's got a broken leg and a mood to match whilst Mum fusses over her two children and their pet dog. And when he's not drawing on the car windows, their energetic youngest son couldn't be louder as he sings along to the car radio whilst his elder brother tries to concentrate on the road ahead. As the journey twists and turns and their destination draws ever closer, the chaotic claustrophobia in the car grows as does the love and affection they have for each other. Accompanied by a brilliant soundtrack, Panah Panahi's thrilling debut feature is a treasure; tender, quirky, and laugh-out-loud funny. Get ready to take an unmissable journey along the dusty road of life. (Picturehouse Entertainment)
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Hit the Road was my first encounter with Iranian cinema and I can say that this film will leave an impression on the viewer. A seemingly funny film, it gradually turns from a light-hearted family road movie into a dense story with a bitter aftertaste of (no) hope. Panah Panahi plays with hints in an artful way and leaves the viewer wondering about the reason for the journey for a certain period of time. I commend the cast, especially the little brother, who, though annoying at times, was portrayed incredibly well. The scene with the cyclist was really amusing, while the distant but all the more powerful goodbye got to me (even at a distance). The ending was a bit bizarre, but memorable nonetheless. A weaker four stars!
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When it comes to filmmaking in the Arab world, Iran has long been the leader, and Panah Panahi's debut Hit the Road beautifully showcases another hidden talent. The stunning cinematography captures not only the struggles of a grumpy family but also the breathtaking landscape. Those lingering, contemplative shots are truly mesmerizing, making the 93-minute runtime fly by in a hypnotic trance.
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In his highly mature and firmly grasped debut, the talented Panah Panahi clear does not disavow his father. Hit the Road is essentially a drama about a family’s parting from their adult son, who is leaving his homeland. Despite the seriousness of the situation, however, the film falls more into the genre of comedic road-movies in which humor and bitterness are perfectly balanced. From the very first scene, the film abounds with directorial ideas, finely honed humorous (and occasionally sad) situations and funny verbal interactions between the individual family members – besides the brooding introverted older son, the passengers in the rental car include the extroverted and extraordinarily energetic younger son (one of the best performances by a child I have ever seen in a film), the talkative dad with a broken leg, the caring mother who promised not to cry and a sick dog. The confined interiors of the car alternate with carefully composed shots of vast exteriors filmed from afar. The cinematography is generally beautiful. The film does have its flaws – the humor occasionally misses the mark (the ceaseless ridiculing of the elder son doesn’t seem very funny, though it was probably supposed to), the somewhat unclear context of the reason for the son’s journey dilutes the emotion a bit, and the ending is needlessly sentimental. Otherwise, Hit the Road is a huge surprise that arouses extreme curiosity about what this filmmaker will come up with next.
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Sort of an Iranian Little Miss Sunshine. For some time a dysfunctional family is nearing a moment of great parting, but is no longer able to communicate with each other at all. First-rate yet economical cinematography, superbly written and acted characters (especially the sage and selfish father who continually fakes his way out of any responsibility), and perhaps the first Iranian film I've noticed that has humor in it. If it didn't have those tendencies to press the poetic key too hard (figuratively and realistically), I'd bump the rating up a notch. Considering that I've been using Persian films as a pejorative epithet for academic tedium, this is actually a big thrill.
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Photo © Midas Filmes
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