Directed by:
Dan TrachtenbergScreenplay:
Patrick AisonCinematography:
Jeff CutterComposer:
Sarah SchachnerCast:
Amber Midthunder, Dakota Beavers, Dane DiLiegro, Stormee Kipp, Michelle Thrush, Julian Black Antelope, Stefany Mathias, Mike Paterson, Nelson Leis (more)VOD (1)
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Set in the Comanche Nation 300 years ago, Prey is the story of a young woman, Naru, a fierce and highly skilled warrior. She has been raised in the shadow of some of the most legendary hunters who roam the Great Plains, so when danger threatens her camp, she sets out to protect her people. The prey she stalks, and ultimately confronts, turns out to be a highly evolved alien predator with a technically advanced arsenal, resulting in a vicious and terrifying showdown between the two adversaries. (Disney / Buena Vista)
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Reviews (16)
I have no problem declaring that I'll probably still like the first one better. But the comparisons that an awful lot of people are wallowing in this case will only serve me further to argue how great Prey is as a completely different and separate work that could have been a great original to the whole series. While the original Predator carved out an almost individual sub-genre in which 80s blowhards stumble upon a space villain who unexpectedly kicked their asses (it was more of a humorous inversion of the established action patterns of the time), Prey takes a bite out of various genres within its narrative and historical lineage. It is a precursor to the colonial western, when the indigenous inhabitants were far from facing only wild animals and were confronted with a far more dangerous invader, the white man. It's a smart emancipation horror film, where the teenage heroine has to slay the scariest creature imaginable to prove to the cocky guys that she's a force to be reckoned with anywhere but in the kitchen. And unlike the first film, in which the dense jungle was for most of the time a rather anonymous backdrop from which the Predator gradually emerged, Prey is a film about the hard hand of Mother Nature. The female lead literally flounders and nearly dies in the mud and is almost torn apart by a bear, as she is far from being the master of creation from the start. The fearless macho narcissists in the first film played at being such masters and would probably have punched the lion, here the nervousness is built up during the initial walk through the forest and the "hunter-prey" motif is developed on both sides – in the wilderness of that time you were both hunter and victim at the same time and you only came of age when you set out to take down an opponent who could just as easily have taken you down. In this regard, the introduction of the Predator is also great, including an endearing and at the same time disturbing scene where the top link of the food chain is corresponded (a rodent eats an ant, a snake eats the rodent and the snake is eviscerated by a watching Predator). The first one was probably more entertaining in sum, more uncompromisingly directed and the final confrontation was more thrilling, but Prey is at least a more complex and better paced film. At the level of scenes, the sub-psychology, relationships or impulses that will soon play a key role in the heroine's decision-making are well established. The rather bland plot sparks a gripping survival storyline, supported by the aforementioned approach to the setting and director Dan Trachtenberg's precise eye. It makes the most of the beautiful scenery, presents the action in a variable way, and personally gave me no room to moan about the weaker CGI or the improbability of the young girl's encounter with the alien giant, because the film is so consistent in its handling of important motifs that no physical confrontation and its development feels silly. Though it doesn't look as majestic, and the smaller budget is probably noticeable in places, Predator: Prey is a better and more fulfilling film for me than the period-related The Revenant, which dabbled more in pretty pictures and told less of a worthwhile story. And I really find strange the dismissive reception from some people, who have probably already bought into the idea that Girl vs. Predator is stupid and that the first two episodes are just classics. The stubborn attitude of this era is really fucked up sometimes, and the thing I regret the most is that it's me, born in 1995, writing this.
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A bit of a better made-for-TV movie. The few panoramic shots try to give the impression of visual richness and grandeur à la National Geographic, but for the vast majority of the time it's just a visually poorer film that doesn't belong in the cinema and the streaming format suits it. It doesn't lack a few neatly severed heads, what it lacks the oppressive atmosphere of the first one, which is on a completely different level. The Indians lack believability, and when I compare it to the likes of Mel Gibson's Apocalypto, which literally worked wonders with a comparable budget in terms of period authenticity and visual gore, I almost want to cry. A female protagonist in a predator franchise is an interesting idea, unfortunately in a film where only the bear scene stands out from the average. And no, the heroine's final fight, which turns the Predator into an incompetent moron, I really didn't buy that one. Arnold could beat such a naive slob with just his farts.
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Dan Trachtenberg gave me a similar pleasure as he did with 10 Cloverfield Lane. Predator: Prey is a confidently made adventure horror film that isn't afraid to go its own way, and at the same time, I dare say it will please fans of Predator more than anything that came after the second film. And like 10 Cloverfield Lane, the trailers are pretty deceptive and the film ends up having a slightly different feel and pace than you might expect. Still, I think I enjoyed the first half more, where there's no rush to get anywhere and the Comanche setting is unadorned and quite attractive. And while there's no Arnold, these tough guys from the American plains aren't wimps either. The main character is also very easy to root for. What I enjoyed most, however, was the way Trachtenberg treats the Predator itself in the first half. It gets an unexpected amount of space here, and for the first time we get to see it properly as a hunter, and a very fierce and cruel one at that. The new Predator won't rewrite the history of the genre or the brand, but it's a well made and above all cleverly conceived film. The former is what we hoped for, the latter is what I personally didn't expect, and I'm all the more pleased about it. It was a success.
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I’m thrilled! Thiis is exactly the kind of story Predator needed. As much as I love Black's last foray, the western concept is a hit, and there are plenty of beautiful parallels between the alien hunter's quest and the lives of the Comanche heroes. The film doesn't rush anywhere and I liked how mysterious and suspenseful it is even for the viewer who knows what's going on, who landed in those woods and what they're after. Everything makes sense (the Predator gradually raises the bar by what he hunts and how he hunts, the protagonist also gains abilities, and she's not alone, although the trailers made it seem so), it's fun, clever, original, imaginative, action-packed and mysterious... It easily keeps up with the original and the second one. And I want the second part, because it's definitely on the cards and the end credits hinted at it. PS: I would like to single out Sarah Schachner's music, which easily made do without the Silvestri theme.
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Finally a sequel to Predator that is very similar to the legendary first film. It doesn't trump it in the depressing, sometimes even horror atmosphere, and of course not in the originality of the initial creative idea either, but Prey certainly doesn't put it to shame. The plot is relatively coherent (similar to the scheme of the first one), the hunter himself has plenty of space and a couple of scenes are really delicious. There’s the bear scene, already mentioned here, which is OK, but too digital. Paradoxically, the best scene IMHO is not led by the Predator, but by young Amber Midthunder, who at one point dispatches a couple of smirking sleazebags, and she does it nicely without a single cut, in a perfectly clear manner and with the right amount of explicit violence. Overall, the creators are not afraid of brutality, on the contrary. It's still a B movie, but it's ambitious, suspenseful, and for once even the average viewer can enjoy it.
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