Directed by:
Steven SpielbergCinematography:
Janusz KaminskiComposer:
John WilliamsCast:
Gabriel LaBelle, Michelle Williams, Paul Dano, Seth Rogen, Mateo Zoryon Francis-DeFord, Keeley Karsten, Alina Brace, Julia Butters, Birdie Borria (more)VOD (5)
Plots(1)
A deeply personal portrait of 20th Century American childhood, Steven Spielberg’s The Fabelmans is a coming-of-age story about a young man’s discovery of a shattering family secret and an exploration of the power of movies to help us see the truth about each other and ourselves. (Universal Pictures US)
Videos (12)
Reviews (10)
Steven Spielberg is back to what he does best: a sensitively told, character-driven family drama about the magic of discovering something magical, here personified by cinema itself. This two-and-a-half-hour film manages to be almost perfectly engrossing and absorbing, yet it has two creative decisions that leave me wondering. For one thing, I don't understand why the lead actor had to wear dark contact lenses for the entire film, it made his eyes look as dead as those of the shark in Jaws and I think it sabotaged an otherwise very eager performance by the young Gabriel LaBelle. And then the idea (spoiler) that a pompous anti-Semitic bullying asshole would, by the magic of the movie medium, go to his victim and not only apologise, but have an emotional breakdown over his own emptiness – the most naive and nauseating thing I've seen at the cinema this year. These two things are all the more infuriating because they could have been easily avoided. However, despite those reservations, I was satisfied, and especially in the short scenes, when veterans Judd Hirsch and David Lynch are given space and well-written roles, I had a contented smile on my face.
()
Full Steven Spielberg. Without metaphor for the first time, he looks back on his childhood, on the family background that shaped him and (thankfully) gave him to us. Not that the proverbial perfectionist didn't pay attention to his previous films, but this time it's a truly admirable piece of watchmaking that may not even look like it. Spielberg firstly conveys the viewer's fascination with cinema, wrapping them around his finger with his boyish excitement of a train wreck reenactment, and then making them an invisible member of the family, letting them experience everything he himself has experienced with the characters. And he does it so naturally, confidently and beautifully that it's clear why he made the film. Had someone else been behind the camera, The Fabelmans would have been either a cheesy ode to the best director of all time or a cold family drama that would have been hard to watch. But to find a balance between these two extremes, none other than Steven Spielberg could have done it. PS: And the actors!
()
Grand shots of intimate life struggles and little scenes in which the most important things happen. Steven Spielberg has perhaps never built his classic family backdrops so high, illuminated with all manner of imaginary spotlights, and focused his attention solely on them. What's more, Janusz Kamiński's playful camera loves the landscape, architecture, and people so sincerely that The Fabelmans speaks to me in a much more optimistic language than you would expect from the story and some of its twists.
()
If anyone knows how to tell a story through film, it's Steven Spielberg. His ability to captivate an audience remains unwavering after all these years, making The Fabelmans a pure delight for movie fans. Even though the plot is rather traditional, following the story of a boy — a stand-in for Spielberg himself — who loves films and dreams of making them, it is executed beautifully. The film portrays his family life, high school experiences, and typical issues of a mid-20th-century American family, all brought to life by exceptional performances. Michelle Williams is absolutely fantastic, delivering perhaps her best performance ever. Paul Dano and Seth Rogen also shine in roles that showcase sides of them we've never seen before. Gabriel LaBelle, who carries the film, impressively holds his own, and I genuinely wish him a bright future in acting. Special mention must go to Judd Hirsch and David Lynch, whose brief but memorable appearances steal the show. Their moments are unforgettable, adding unique highlights to the film. It's no surprise that Steven Spielberg, with his masterful storytelling, is behind this film, creating moments that will linger long after the credits roll.
()
It’s no coincidence that such a beautiful film about people and filmmaking is an autobiographical statement by the creator of the most heartfelt works of cinema. The circle is closed, as the unique tenderness of the iconic filmmaking triumvirate of Spielberg + Kamiński + Williams merges with the content like never before. Everything led up to this. ___ The Fabelmans is the most comprehensively told family drama that I have ever seen. And even though no tragic events happen, it is also the most impactful family drama for me personally. It is a deeply felt depiction of the life events of childhood and youth in the smallest yet most essential details, embodied in an appropriately sensitive, surgically precise film narrative. A mosaic of fragments forming the personality of a man who, through pain and joy, became one with the film camera, which revealed the origins of his biggest (family) disappointment in his adolescence and helped him to gracefully resolve his problem with bullying in high school. That he later went on to make his mark on the artistic and social history of the world with that camera is another story. ___ The cinephilic dimension of The Fabelmans is a bonus added to the narrative about family values, which have always formed the essence of Spielberg’s work. Except here he has made it a key part of the story that’s even nicer than we could have wished for. The casting surprise in the epilogue and the last shot brought me to my knees and took me back to a place to which I feared contemporary cinema would never return. Steven forever ❤️
()
Ads