Directed by:
M. Night ShyamalanComposer:
Herdís StefánsdóttirCast:
Dave Bautista, Jonathan Groff, Ben Aldridge, Nikki Amuka-Bird, Rupert Grint, Abby Quinn, Kristen Cui, M. Night Shyamalan, Hanna Gaffney, Clare Louise Frost (more)VOD (4)
Plots(1)
While vacationing at a remote cabin, a young girl and her parents are taken hostage by four armed strangers who demand that the family make an unthinkable choice to avert the apocalypse. With limited access to the outside world, the family must decide what they believe before all is lost. (Universal Pictures US)
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Reviews (7)
As someone who didn't hate the last two widely criticized Shyamalan films, I have to say that M. Night pissed me off with Knock at the Cabin. While Glass and Old were leaky and unconvincing in some ways, I found their concepts interesting and thought-provoking. In comparison, the concept of Knock at the Cabin is very stupid. I'd probably enjoy a believable movie with a premise of people trying to convince other people of complete bullshit, and how those people are willing to believe said bullshit under certain conditions, but the problem is that I would NOT describe Knock at the Cabin as a film with that premise. That's because the finale – apparently unlike some other viewers – doesn't strike me as ambiguous, it strikes me as unambiguously, unequivocally idiotic. PS: This film doesn't have a typical Shyamalan twist, or the twist is that the four freaks are ***** ****** **********? I really laughed at that.
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Disarming. A full-fledged and suffocating atmospheric conversational drama where everything is as it should be. M. Night Shyamalan doesn't pull any punches and from the first few minutes he draws the viewer in with a sharp start where all hell breaks loose for the characters. The long debates backed by great performances from all involved make this film an excellent to masterful piece of acting that is so realistic that you will believe the same thing could easily happen to you. When it comes to the violence, it shocks (although it is off-screen), when it comes to the groundbreaking scenes on the TV, it takes your breath away (the tsunami and the plane crashes are simply awesome), and Dave Bautista has the role of a lifetime here, proving that he can easily handle more serious roles than a B-movie brawler or Draxx from Guardians of the Galaxy. I'm going to go against the grain, but this worked for me and from the start Shyamalan had me nailed in my seat. If the ending had been better and made me feel more of the director's signature, I'd have gone for a full score. People who went into the film for the director's classic twist will give the film a bit of a middle finger and understandably be dissatisfied, but this is a case of enjoying a masterpiece and judging it as a whole.
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M. Night Shyamalan almost bored me to death with Old, so I started watching his next attempt with considerable apprehension. But it turned out that my concerns were unnecessary. I was pretty entertained by the movie in which two dads tried to destroy humanity so intensely that they didn't even have time for various unsanitary matters. From the first shot of the empathetic teacher with a giant head and the remaining body parts trailing close behind, I started to chuckle, and I kept chuckling despite the unsettling events that followed. What surprised me was that I really liked Kristen Cui in the role of Wen. I had a great time when Leonard's team started explaining that they were not crazy; I know for sure that after such an explanation, I would reach for a shotgun:-) Well, it wasn't an unforgettable masterpiece, but as simple entertainment, it worked tremendously well for me. A massive credit for that goes to Dave Bautista. He may not be the best actor, but he is a noticeable (and entertaining) figure. / Lesson learned: If you ever find yourself in a position to save humanity, don't make a decision right away. First, think about what exactly you are saving...
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Four armed weirdoes trap a married couple and their daughter in a cottage and demand that one of them sacrifice himself to prevent the coming apocalypse. A game of nerves begins, but what if the end of the world is really near? M. Night Shyamalan takes an interesting subject and made a woefully uninteresting film. His new film tries to play on uncertainty, to not explain and to avoid clear-cut points. But this doesn’t make it thrilling, but rather boring and drawn out. Another misstep for the director. It is decently shot, but not very entertaining to watch.
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So after Signs, we have A Revelation. The 1990s lenses for an old-school thriller look suit it remarkably well, but with logical gaps and unmet atmospheric expectations, it falls short in Shyamalan’s classic family drama about faith, not just in God. The twist? Only for readers of Paul Tremblay's source material; otherwise, the biggest twist is that there isn’t one. If there are any speculations about the identities of the characters, Dave Bautista certainly wasn’t Hunger.
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