Directed by:
Wolfgang BeckerCinematography:
Martin KukulaComposer:
Yann TiersenCast:
Daniel Brühl, Katrin Saß, Maria Simon, Chulpan Khamatova, Florian Lukas, Alexander Beyer, Burghart Klaußner, Michael Gwisdek, Marc Bischoff (more)VOD (2)
Plots(1)
In 1990, to protect his fragile mother from a fatal shock after a long coma; a young man must keep her from learning that her beloved nation of East Germany as she knew it has disappeared. (official distributor synopsis)
Videos (1)
Reviews (7)
The comedy label is very misleading in this case. This is definitely not a romp, but rather a sensitively conceived film about filial love, the nooks and crannies of family relationships and coping with sudden social and political changes in one's country. The certain naivety of the script in the son's masking of reality from his mother cannot be overlooked, but that would be my only complaint. I would probably enjoy it more if I were German and had experienced all the changes myself. Becker seems to have hit the bull's-eye, because Goodbye Lenin was the most successful film of the year in its country of origin.
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No hint of comedy at any single moment of the entire two hours of running time. Which isn’t necessarily a bad thing. The theme alone is a gold mine. Too bad that the creators didn’t get anything out of it. And it is doubly disappointing that throughout Wolfgang Becker gets stuck on a thousand and one variations of the same scene. Even so, Goodbye, Lenin is a good picture because it entertains, but not using humor. If nothing else, it at least makes an attempt to come to terms with the past - whether it is successful, apt and dignified in doing so, I shall leave you to decide. This movie is utterly incomparable with the Czech “romp" Pupendo which at first glance is very similar, but at second glance everything is different. ♫ OST score: 4/5
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This film serves as an intriguing parallel to the regime that the main character tries to keep alive for his mother. Even that regime was just an illusion that had to come to an end. Acting-wise, the film is excellent and Daniel Brühl shows that he truly has had abilities throughout his career and I just hope to see him more often.
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A smart and above-average satire, not just by German standards, on so-called "ostalgia" - the nostalgic longing for the old certainties of real socialism in the former East Germany (GDR). We know this phenomenon in a weaker form in the Czech Republic as well. The film is built on an excellent idea supported by a well-developed script and decent, imaginative direction. The actors are well-cast and mostly good in their roles. However, those who can truly appreciate this film are the ones who lived through that era and understand it. Overall impression: 85%.
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Rewatching the movie today, I felt like going back in time to another journey back in time. I enjoyed it just like I did the first time. It's just that I liked different things about it this time. When I first watched the movie, I was drawn in by the plot and the extreme actions taken by the main character. Today, my focus shifted to the making of TV shows for a single viewer, showcasing how easily the same shot can be repurposed for different propaganda. While the main character was only misleading his mother (for her own good), the brainwashing orchestrated by states (or other institutions) corrals the human herd into a singular, supposedly correct framework for the greater common good. / Lesson learned: Don't make the same mistake I did. Be cautious about speaking your mind; someone might notice...
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