Reptile

A surprising gem from Netflix. A gritty crime drama with an outstanding Benicio in the lead. For a debut, it's an impressive effort. The chilling atmosphere feels straight out of a David Fincher film, and while it drags a bit in the middle, the finale is grounded and absolutely fantastic. (10/06/2023)

Reptile is an atmospherically creepy crime thriller with appropriately gloomy music that is original in its details, creatively interesting editing and a perfect cast, including all of the supporting characters. Benicio Del Toro turns in a majestic acting performance. With its excellent balance between revealing the suspicious characters and the constant uncertainty that comes with the feeling that everything will be different, Reptile is probably this year’s best American contribution to the genre. For a feature-length debut by a music-video director, this is a unique feat that puts Grant Singer on the path to joining the ranks of the elites (Villeneuve, Fincher). Four and a half stars. (10/03/2023)

The first half is a fine Scandinavian-style crime drama, including a sadistic murder, the chilly autumn weather and muted colours. And with one fantastic actor who I totally, totally love. Benicio Del Toro is walking charisma, he gets better the older he gets, and you can't take your eyes off his spare acting. The film loses its footing for a bit in the middle, and then it starts to get tangled and convoluted, and I'm not saying it's not good, but they lay their cards on the table too soon and lose the element of surprise. It's just not one step ahead of the viewer like a crime drama like this needs to be, and that's a shame. But for my beloved Bull, I'll give it 4*. P.S. Also excellent are the psychotic Michael Pitt and Justin Timberlake, with his vacant shark-eyed stare. (09/29/2023)

To stir things up in Hollywood's more conservative landscape with such a refreshing crime drama, I have to commend Grant Singer (and then you realize it’s his directorial debut... truly impressive). Reptile falls into the category of classic, almost old-fashioned detective stories. Consider that a compliment. The film moves at a slower pace, which might not suit everyone, but I thoroughly enjoyed it. I appreciated the flawless audiovisual aspects (the relatively unknown Glotman made a strong impression with his music). I enjoyed the interesting camera work ideas. And most of all, I enjoyed Benicio Del Toro’s one-man show. Such a charismatic actor is rare these days. But the rest of the cast also delivered, especially Michael Pitt with his “peculiar character.” The second half was quite surprising. Then the filmmakers served us the ending, which hit hard (yes, it could be guessed a bit earlier than what is ideal, but oh well). *Knockin' on Heaven's Door* as the closing song was fitting... I’m giving it a solid 8/10. P.S. After a second viewing, I’m raising my rating. I really haven’t seen a better detective film in a long time. A well-deserved 9/10. (10/02/2023)

An atmospheric whodunit/thriller with a Benicio Del Toro that will burrow under your skin, who, along with debut director Grant Singer, elevates this Netflix flick to at least the event of the month. An inscrutable tale that, once unraveled, is an admittedly much-seen classic. However, it's told so artfully and with such excellent performances from the supporting cast that it takes your breath away. The almost palpable insecurity is brilliantly rendered in Del Toro's performance, while not falling out of character as the stoic client. Often reminiscent of the very best crime stories by David Fincher, the director has a flair for image and narrative. The script is strong in detail and especially in realism, with the scenes with his wife (an awesome Alicia Silverstone) among my favorites. (10/06/2023)