Directed by:
Tommy WirkolaCinematography:
Matthew WestonComposer:
Dominic LewisCast:
David Harbour, John Leguizamo, Alex Hassell, Alexis Louder, Cam Gigandet, Edi Patterson, Beverly D'Angelo, Leah Brady, Alexander Elliot, Brendan Fletcher (more)VOD (4)
Plots(1)
When a team of mercenaries breaks into a wealthy family compound on Christmas Eve, taking everyone inside hostage, the team isn’t prepared for a surprise combatant: Santa Claus is on the grounds, and he’s about to show why this Nick is no saint. (Universal Pictures US)
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Reviews (9)
A brutally appealing genre film in which heads burn and bodies explode in ultra-fun sequences, it's already achieving slight cult status at the moment and I'll happily include it among my classic Yuletide screenings in the future, i.e. alongside the first two Die Hard movies and Home Alone. Tommy Wirkola is a bit of a freak, but that doesn't take away from his huge dollop of talent and his remarkable flair for scenes that are extremely gory and funny at the same time. Violent Night is horribly irreverent ("Trudy? Well, that makes her sound like a whore."), brutally action-packed fun where you'll soak up the true Christmas spirit like (almost) nowhere else. [80%]
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Seasons Beatings! A beautiful film. Exactly one of those movies that highlights why I love movies. Tommy Wirkola reaffirms his status as a tough butcher off the rails and has quite possibly made one of his best films; at the very least he made a film that has the potential to become a Christmas classic and will definitely not be missing in my living room every Christmas in the future. Of course, for the introverts, weirdo entities, puritans and outcasts of society, this will be and American piece of shit without a story that is unnecessarily filthy and brutal, and I'm glad that the code of decency suffered incredibly in the process, I really enjoy torturing this bunch like this, probably like David Harbour, who played the best role of his career. Violent Night is one crazy, fun, perverse and brutal action ride that takes Christmas traditions, John Wick-like action, twisted humour and references to Home Alone and together it works incredibly well and cool. The story may be simple, but there's beauty in simplicity, and all the other filmmaking aspects and details are important; the work they have put in is very evident and I appreciate it accordingly. Apart from the excellent Harbour, for whom this was a tailor-made role (his flashback was also awesome, by the way, and I hope we will learn even more about him in the eventual sequel), the villains are also a delight, John Leguizamo plays a surprisingly decent bad guy, but his henchmen also have their bit of glory, and I looked forward to every disposal, which are brimming with original and entertaining ideas. I was sure of a decent 4 stars, but once it came to the barn scene, it was a done deal. It was such a carnage!!! Santa, with a skullcracker and skates for knives, performs the Christmas ballet of death, and for me it is without a doubt one of the best scenes I have seen this year. I'll be playing this before bed every night. This whole glorious sequence is then built up with traps like in Home Alone, and I was roaring with laughter and joy. I'm glad Wirkola put something like that, those were two top notch sequences (read orgasm) right after each other. The Christmas music was good too and of course I couldn't fail to mention the properly twisted and bawdy humour, which was perfectly fitting. The emotions worked on me at times thanks to the cute little girl and there were a few minor twists and turns, so very satisfied. A properly entertaining, crazy and brutal film like this year's Bullet Train. 9/10
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Honestly, I don’t get why anyone would label this movie a horror. But whatever, it’s always fun to dive into Christmas spirit in July. I didn’t know much about the film going in, so I expected some adult version of Home Alone. The amount of violence early on was shocking, so I paused to check the director. When I saw it was Tommy Wirkola, known for his bloody films, it all made sense. For a Christmas movie, the kill count was impressive, though not as intense as Wirkola’s usual fare. The film nailed the American holiday vibe: tacky decorations, Christmas trees, Santa Claus, reindeer, a loving family, snow, and even Beverly D’Angelo. David Harbour made a fantastic Santa. Surprisingly, the child actors didn’t bother me, even though I’m not a fan of kids in movies. I loved how Santa remembered his roots predating Christianity and long before he became a corporate mascot. What didn’t sit well was Wirkola’s taming down for the mainstream holiday magic, happiness, love, and family values. It felt like he traded his usual gory fun for a big payday. / Lesson Learned: In the age of the internet, writing letters to Santa is pointless.
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While still thinning out the naughty list of this year’s Christmas, I tip my imaginary Santa hat to whoever said: "I have an idea to make the Christmas plot of Die Hard even more Christmassy!", before adding: "How about combining it with Home Alone?", in front of the madman who finally filmed it in a way that's not cringe-inducing but funny. Yes, at first glance, Fatman with Mel Gibson came up with something similar two years ago, but while I liked that holiday almost-action flick, it falls far short of the fun of Violent Night. David Harbour is flawless in the leading role, he enjoys Santa to the fullest and is very convincing in the action scenes, which have great choreography. The trailer doesn't give everything away, so in addition to all the imaginative shooting, punching, breaking, stabbing, screaming, drinking, eating gingerbread, bleeding and swearing, we also get a glimpse into Santa’s past or one of the climactic scenes that shows what Home Alone would look like if it were truly brutal. Of course it's not a non-stop action ride, that wouldn't work, or it wouldn't have anything new to offer soon, but even the moments of calm before the storm were rarely taken deadly seriously, and I liked them.
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David Harbour is half of the film. He was made to play the role of a kind-hearted Santa Claus with the roots of a bad-ass Viking. The mixing of motifs from Die Hard and Home Alone, which are Christmas cult classics in America, is the right way to join their ranks in different genre garb. Wirkola almost succeeded – he combines Christmas clichés with new ideas, the endangered family members are not cliches and the narrative flows nicely. It’s just a shame that Harbour doesn’t face any correspondingly interesting bad guys for whom we would have more respect.
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