Directed by:
Jalmari HelanderScreenplay:
Jalmari HelanderCinematography:
Kjell LagerroosCast:
Jorma Tommila, Aksel Hennie, Jack Doolan, Mimosa Willamo, Onni Tommila, Arttu Kapulainen, Tatu Sinisalo, Vincent Willestrand, Wilhelm Enckell, Elina Saarela (more)VOD (4)
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During the last desperate days of WWII, a solitary prospector crosses paths with Nazis on a scorched-earth retreat in northern Finland. When the Nazis steal his gold, they quickly discover that they have just tangled with no ordinary miner. While there is no direct translation for the Finnish word “sisu”, this legendary ex-commando will embody what sisu means: a white-knuckled form of courage and unimaginable determination in the face of overwhelming odds. And no matter what the Nazis throw at him, the one-man death squad will go to outrageous lengths to get his gold back - even if it means killing every last Nazi in his path. (Lionsgate US)
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Reviews (9)
A bunch of Nazis steal gold from the Finnish Santa Claus, but unfortunately for them, he's an ex-commando of Finnish elite assassins and he doesn't like it very much. Don't be fooled by the film's description and look, as this is no serious murder mystery, but a pure swag satirical comedy that just happens to have the premise it does. Anyone expecting a Finnish killing spree John Wick should go into the film with caution and temper expectations, but anyone who wants to see a pissed off SISU grandpa tearing limbs off, destroying tanks and slicing up Nazis by the hundred-sixths in a very wacky and far-fetched format (10 minutes underwater, holding on to a plane and sprinting with a shot leg...) should go for it. Because I'm afraid this "festival film" for a narrow spectrum of viewers won't be available for download any time soon, so I'd take the cinema screening option. Although it may not have been the aim, I had a good time, and even though I don't often seek out this unrealistic and over-the-top genre, I enjoyed this one.
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Quentin Tarantino fans present… Once upon a time in Nazi-burned Lapland… When northerners make something like a Western, can it be called Northern? The initially low-key conflict between a lucky prospector who stumbles upon a hefty pile of gold and a beaten Nazi commando in a stolen Soviet T-55 turns into a bloodbath that should be taken with a grain of salt and treated more as entertainment than as a statement with historical value and philosophical insight. There’s a lot of blood and everything is filmed by fans of the genre with gusto, good ideas and a feel for visuals. There's no one well-known in the cast except for Aksel Hennie as the Nazi Obersturmführer.
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Ironically, the promising bubble created by the trailers bursts with the first action scene. The Tarantino-like titles, chapter divisions and a would-be spaghetti western atmosphere are unfortunately not enough to turn a boy's foolishness into a real film. I found Sisu surprisingly boring and most of all he struck me as a Finnish version of Machete, including the feeling that it shouldn’t have been more than a trailer.
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Sisu is an unhinged action flick with an abundance of exaggeration that will decidedly not bring joy to fans of realistic period depictions and historically factual information, but it might please fans of bloody B-movie guilty-pleasure entertainment grounded in westerns and one-against-all stories in the style of Rambo, John Wick and Taken, and which in a few places is reminiscent of Quentin Tarantino’s Inglorious Basterds and Tommy Wirkola’s Dead Snow. Lovers of black humour, Nordic landscapes and expansive tundra – or amateur surgery – will be in their element. Conversely, it’s not for viewers who can’t stand the sight of people’s (and horses’) bodies getting blown to pieces while attempting to cross a minefield. The numerous variations on mowing down Nazi soldiers are often rather inventive (have you ever seen a protagonist kill his enemies under the surface of a lake and suck in the air escaping from their slit throats so that he doesn't have to resurface?) and the two protagonists standing on opposite sides of the barricade are almost perfect to the point of being fascinating, which makes it practically impossible to take your eyes off of them. The film starts off with a serious tone, but it loses all sense of seriousness at an accelerating rate as the absurdity of the individual scenes gradually increases. Jalmari Helander has not only proven himself to be a filmmaker with interesting ideas, but also – for the first time – a solid storyteller, screenwriter and director, in whose presentation the gritty tale of the gold prospector and fighter Aatami has its own memorable face, which is also due in part to the film’s distinctive stylisation and cast.
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Sisu is an entertaining B-movie from inhospitable Lapland. Stylish, bloody, funny, lively and even a bit cartoonishly fantastical. It’s not exactly innovative in terms of its subject matter, but it is unpredictable and imaginative in some scenes. The presence of Aksel Hennie as a top Nazi was pleasing.
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