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The powerful tycoon Auric Goldfinger has initiated "Operation Grand Slam," a cataclysmic scheme to raid Fort Knox and obliterate the world economy. James Bond (Agent 007), armed with his specially equipped Aston Martin (its accessory package includes built-in machine guns, a smoke screen and an ejector seat), must stop the plan by overcoming several outrageous adversaries. First, Bond must contend with Oddjob, the mute servant who kills at the toss of a lethal hat. Next, he has a daring romp with the beautiful Jill Masterson, Goldfinger's trusted card advisor, who gives new meaning to the phrase "golden girl." Finally, Bond becomes entangled with the sexy pilot Pussy Galore, whose romantic feelings for him complicate her involvement in Goldfinger's high-flying scheme. (official distributor synopsis)

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Reviews (11)

gudaulin 

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English Three times is enough. I revived the slogan of uncompromising morality followers who, after the 3rd crime, are willing to send pickpockets to life imprisonment, and applied it to a series of classic Bond films. I told myself that if any old Bond title has a chance of success with me, it will be Goldfinger, which features a truly charismatic villain and is based on a book that I read as a teenager, so I should feel at least some nostalgia for it. However, I definitively verified the fact that the phenomenon of Bond films only started to become at least partially interesting to me with GoldenEye. This is unattractive, and outdated, with a long-expired warranty, but surprisingly still has a great reputation. The power of the brand does a lot. Overall impression: 40%. ()

Necrotongue 

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English Goldfinger’s caption could be "Macho Strikes Again". I guess only Bond can turn a lesbian into a heterosexual by the sheer force of his masculinity. Compared to the previous two films, there is less of the espionage atmosphere but more of the gadgets and one-liners. Bond films have taken on a new direction. ()

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novoten 

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English Among all the Bond movies of the era of the first three actors, this one is my favorite. Sean Connery was in his best form and faced the most devilish villain, who even stole the title of the movie for himself, following the example of Dr. No. The best thing about it is, of course, that even sixty years after it was made, it would easily stand up to today's competition, even though the passage of time has started to leave its mark even on the more extravagant scenes. ()

kaylin 

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English The first Bond film where Q finally appears, and he brings some gadgets that give the film a new charge. I have to say that as a kid, I liked this a lot. But there's a lot more to this film that draws attention to itself. Aside from the great villain, there's also his deadly henchman with the lethal bowler hat, and of course, the golden victim. Beautifully scary. I don't remember all the Bond films, and I think I've seen quite a few in the past, but this one has definitely stayed in my memory. I think that also speaks to its quality. Some scenes and elements really do leave a lasting impression. ()

D.Moore 

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English Not surprisingly, many people think of Goldfinger when they hear the word "Bond" (although they may not even know it). It's not Connery's best contribution to the franchise, but it certainly is flawless. You want humor? It's here. You want suspense, you want action scenes? Espionage? You get them. All of this presented in a literal golden coat with one of the best villains having one of the most interesting (and simplest) plans of all. John Barry (as usual) excels again and the music is like clockwork. And I haven’t even mentioned Pussy Galore, one of my favorite Bond girls. Best scenes: The opening brawl, Bond's "tuning in" to Goldfinger's waves, the whole Geneva part and of course the finale at Fort Knox. ()

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