Cinematography:
Brett JutkiewiczComposer:
Brian TylerCast:
Melissa Barrera, Jenna Ortega, Courteney Cox, Mason Gooding, Jasmin Savoy Brown, Hayden Panettiere, Dermot Mulroney, Samara Weaving, Tony Revolori (more)VOD (5)
Plots(1)
Following the latest Ghostface killings, the four survivors leave Woodsboro behind and start a fresh chapter. (Paramount Pictures UK)
Videos (12)
Reviews (9)
The new environment did not entirely benefit the series, but fortunately there is still something to build on. Courteney Cox is still great, we even got Hayden Panettiere back, and from the new party from the previous episode, the clear number one is Wednesday Jenna Ortega. If the creators keep their word, then I am already looking forward to the seventh film in the series.
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Perhaps no horror franchise has made it to a sixth installment without material fatigue, but here the fatigue is so minimal and hardly noticeable that it still feels fresh, fun and exciting. The horror sequences are a treat, the whole is laughable, but intentionally so. No Scream has ever really disappointed, not even this one.
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I was quite surprised, and as a fan of the franchise, pleased that the sixth Scream would be screaming in theaters just fourteen months after the release of the fifth, which came eleven long years after the fourth (Wes Craven's last "slash"). As I've said before, I have a soft spot for Ghostface, so I'm willing to overlook the fact that it's pretty much a recycled version of the previous films. But as a fan, it's that connection between the first and fifth films that I appreciate and (along with the many pop culture references) downright enjoyed. The intro alone, which slyly plays with the rules of horror and stands them on their head, proves that the "screaming franchise" still has a lot to offer. I welcomed the film's setting in New York, where the they managed to take advantage of other locations to offer some truly good scenes – whether it was a chilling sequence from a convenience store or an apartment, or the atmospheric scene in a flashing subway. (Spoiler alert!) The identity of Ghotsface is clear from the first mention of the deceased family member, and then later from the attack in the apartment, but the film isn’t that concerned with a plot twist as it plays with audience expectations and horror rules, creating a hide-and-seek game. The viewer (ideally a fan) then calmly overlooks the immortality of certain characters and just watches the uncompromising destruction of the bad guys with a satisfying smile. (End: Spoiler alert!) In the end, Scream VI certainly didn't feel boring or dull, but if there is to be a sequel, which I wouldn't be opposed to, at least a three-year hiatus would be preferable.
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"Liposuction for everyone!", or looking at Courteney Cox here, I wonder if this wasn't originally made as a sequel to The Mummy. Man, why can’t Hollywood actresses age naturally? And the film itself? Well, it actually it needs a heavy dose of botox, a dose of botox of invention, because this is nothing but a compilation of what we've seen many times before and even breaking the fourth wall in one scene doesn't help.
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It's true that you can't expect miracles from a slasher movie, but this one is ultimately a mess. The young and restless, binary-diverse and bipolarly unbalanced characters must confront a villain who effortlessly cooks one after another in front of the public (no, I don't notice that the girl next to me in the subway has a 10inch knife in her belly), while the law enforcement authorities are completely incompetent. Since this is already the sixth vol, the screenplay feels noticeably recycled, and any element of surprise is nonexistent - after the first five minutes, viewers have already explored the 78,000 possibilities of who the villain might be, and at the end, it's one of them. What really bothered me was the superhuman agility of the main eviscerator, who dodges bullets and wakes up from unconsciousness at the exact moment that is supposed to be the coolest and creepiest. But the most puzzling fact is, that after six movies, nobody has explained to them, that when you take someone down and they're lying there, you're supposed to finish them off and not to run away! The repetitive scenario of endless escapes has become tiresome. As a whole, the movie simply doesn't work, and they should give up on it, just like with the 58th Fast and Furious. Please, enough is enough.
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