Directed by:
Ben StillerScreenplay:
Steve ConradCinematography:
Stuart DryburghComposer:
Theodore ShapiroCast:
Ben Stiller, Kristen Wiig, Shirley MacLaine, Adam Scott, Kathryn Hahn, Patton Oswalt, Adrian Martinez, Ólafur Darri Ólafsson, Terence Bernie Hines, Sean Penn (more)VOD (3)
Plots(1)
Ben Stiller directs and stars in James Thurber's classic story of a day-dreamer who escapes his anonymous life by disappearing into a world of fantasies filled with heroism, romance and action. When his job along with that of his co-worker (Kristen Wiig) are threatened, Walter takes action in the real world embarking on a global journey that turns into an adventure more extraordinary than anything he could have ever imagined. (official distributor synopsis)
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Reviews (14)
A light-hearted and optimistic movie about the “quintessence of life" which entertains in an non-intrusive manner so rare today, even managing to intimate some wisdom about life. Stiller has grown a little still as a director and the polished visuals are amazingly pleasant to the eye. Like a nature documentary without annoying explanatory digressions. Eyjafjallajokull.
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An optimistic snack that irradiates energy and peace. All that nonsense that is needed for Walter’s adventure to continue, in connection with this particular film, didn’t bother me at all. What I didn’t like was the utter predictability of the plot, in particular those questions: “where has picture 25 gone?”. The answer will be clear to anyone. And yet, it’s solid, brisk fun that’s nice to watch and makes sense going to the cinema for it. The locations are breathtaking.
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A cute Hollywood family fairy tale with laudable intentions, an outrageously likeable soundtrack and a great Ben Stiller in the cute leading role, but dramaturgically it’s strangely disjointed, unconvincing and dumbed down, exploring the imaginary border of fantasy and reality through the lens of a filmmaker who apparently can't decide which side to lean towards... The message is admittedly beautifully positive, but it can't make up for the awkward first impression. 65%
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Walter Mitty used to be a punk and skateboarder with lots of crazy ideas and the belief that the world would be at his feet one day. Today, he is a shy and unassuming middle-aged man who spends most of his time in the archive and escapes more and more often into the realm of dreams, where he successfully competes with comic book heroes and has no trouble impressing his sympathetic colleague, with whom he would like to establish an intimate relationship. The loss of an important negative and his awakened professional pride provoke him to leave his safe shell. The following days turn into a magnificent journey during which Walter visits three continents and convinces himself that dreams can become reality. For several generations, movie viewers have turned to the film medium to escape from mundane reality into a world of boundless fantasy, and Walter gives them hope that even ordinary people like them can experience wonderful adventures and achieve something great. The Secret Life of Walter Mitty combines several genres from comedy to romance and road movie, and it must be said that it works well, partly thanks to Ben Stiller's commitment, who saw this project as a unique opportunity to break free from the stereotype of cheap entertainers and become a respected versatile creator. The film has divided critics and journalists into two sharply contrasting positions overseas. Some speak of it as a highly entertaining, well-executed film that deserves an Oscar, if not in the main categories, then at least for its technical aspects. Others speak with the same enthusiasm about cheap sentimentality, sycophancy, and unfulfilled ambitions that should be rewarded with a Golden Raspberry. Let's face it, The Secret Life of Walter Mitty is as middlebrow as it gets, but I can say for myself that I really enjoyed it, appreciated the excellent camera work with beautiful nature images, and I dare to recommend The Secret Life of Walter Mitty as an ideal example of a family film that can work across generations, educational backgrounds, and gender differences. Overall impression: 90%.
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If Stiller had not tripped himself up so unsportingly immediately during the New York part when Walter’s over the top stories are like something out of Tropical Storm and so completely at odds with the mood and atmosphere that it is trying for (successfully from the moment when they set off on their journey) my impressions would have been much more positive. Even so, this just couldn’t shake off the label of “the movie that tried so hard, but so hopelessly for two hours to achieve what they achieved incomparably better in the first trailer".
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