Directed by:
Cameron CroweCinematography:
John TollComposer:
Nancy WilsonCast:
Tom Cruise, Penélope Cruz, Cameron Diaz, Kurt Russell, Jason Lee, Noah Taylor, Timothy Spall, Tilda Swinton, Michael Shannon, Delaina Mitchell, Shalom Harlow (more)Plots(1)
Handsome, wealthy and charismatic, New York City publishing executive David Aames leads a charmed life. But one night David makes a small mistake that causes him to lose Sofia, the girl of his dreams. In his search for her, David is thrust unexpectedly into a rollercoaster ride of romance, sex, lies and suspicion that results in his ex-girlfriend's suicide and a car accident that leaves David hideously disfigured. Soon, however, his luck seems to change when Sofia declares her love for him and the doctors are able to rebuild his face. But when strange things begin to happen, he starts to realize that his life has taken a turn beyond his control. (official distributor synopsis)
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Reviews (4)
I was bored for most of the film and I didn’t give a toss about the characters (especially the main one, Cruise’s), but I loved the twist.
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The American remake of the Spanish Open Your Eyes sticks so closely to the original that there are hardly any differences in the story. Cruise and Cameron Diaz are both perhaps even more suited to the roles for me, although the Spanish actor whose role Cruise was now playing was also excellent. But both films stood primarily on the charm of Penélope Cruz. Playing the same character twice seemed like an interesting idea and she handled the transition to English with aplomb. Other than that, however, the American setting just didn't sit well with me. After all, to match the beauty that abounded in Amenábar's version was quite impossible.
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Only on a second screening and with a few years' distance, it's truly a fantastically ethereal experience that breaks a person into pieces. It's not so much the convoluted plot, but above all the captivating performances of Tom Cruise and Penélope Cruz that will be remembered for a long time. Cameron Crowe did exactly what was expected of him: an intellectually and uniquely analysis of the soul that is simple as a slap in the face from the inside. And it works brilliantly.
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Crowe confuses the viewer too much with an overcomplicated story only to lead them by the hand at the end. But still, in some mysterious way, this likeable attempt at "Lynch" struck a chord with me. Imaginative direction, a great soundtrack and, surprisingly, Tom "I overact like hell" Cruise abandoned his usual mannerisms here and confirmed that he can play for real in Crowe's films (see Jerry Maguire). A pleasant two hours.
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