Directed by:
Jim SharmanCinematography:
Peter SuschitzkyCast:
Tim Curry, Susan Sarandon, Barry Bostwick, Richard O'Brien, Meat Loaf, Charles Gray, Patricia Quinn, Nell Campbell, Jonathan Adams, Peter Hinwood (more)VOD (2)
Plots(1)
The madcap, musical mayhem begins when rain-soaked Brad and Janet take refuge in the castle of Dr. Frank-N-Furter, a transvestite mad scientist from outer space who is about to unveil his greatest creation - and have a bit of fun with his reluctant guests! (official distributor synopsis)
Videos (1)
Reviews (10)
It is perhaps bizarre but original. Unfortunately, it's also a somewhat uncoordinated affair, which after a rousing opening starts to rehash the stereotypical system of musicals without any further innovation or invention. Sharman earns points with promising hints, but he could have pushed a little harder. That’s quite unfortunate because this madness stands on its own two feet only thanks to the divine Tim Curry, whose tranny creation is unparalleled on screen. All in all, it’s as entertaining as De Palma's (sadly underrated) Phantom of the Paradise.
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OK, another film whose cult status I can’t understand. The ear-shattering, awful 1970s music does highlight the depravity on screen, but it also made the film almost unwatchable. The Rocky Horror Picture Show is perverted in the exact awfully perverted fashion that I can’t understand, let alone like. On top of that, Tim Curry is almost unpleasantly convincing in the role of a sweet transvestite from the transsexual planet Transylvania… Overall, it was one of the least imitable film experiences I’ve ever had, and I’m giving it two stars for that, but my tastes are elsewhere.
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Even in an ordinary screening, without high heels, rattles and rubber gloves, The Rocky Horror Picture Show is endlessly entertaining and, during the existential songs, it is a touching defence of eccentricity and a tribute to the sci-fi and horror B-movies of Val Lewton and William Castle. Thanks to the tastelessness, affectedness and consciousness of its own decadence, every gesture, every prop and every deviant costume screams “camp”. The film dares us to despise it and dance with it. Both surprisingly happen at the same time, inviting us to experience it again and again, just like repeatedly listening to the soundtrack (I’ve had “Touch-a, touch-a, touch-a, touch me” stuck in my head for a few weeks). 90%
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A really unusual and quirky musical, in which the transvestite Tim Curry stands out the most. I found the plot crazy and off-the-wall, which is not always a bad thing. What I really have to praise were the songs, which together with the colourful sets and costumes created a great audiovisual atmosphere. The young Susan Sarandon was also a delight. In short, an original film that may not appeal to everyone, but I found it above average.
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I didn't expect to enjoy the film very much. It's talked about too much as a cult classic, but in its case, it's absolutely deserved. Great performances in a brilliantly twisted script, dominated by Tim Curry, and of course, the songs that easily get under the viewer's skin. This is alternative beauty.
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