Directed by:
Jim SharmanCinematography:
Peter SuschitzkyCast:
Tim Curry, Susan Sarandon, Barry Bostwick, Richard O'Brien, Meat Loaf, Charles Gray, Patricia Quinn, Nell Campbell, Jonathan Adams, Peter Hinwood (more)VOD (2)
Plots(1)
The madcap, musical mayhem begins when rain-soaked Brad and Janet take refuge in the castle of Dr. Frank-N-Furter, a transvestite mad scientist from outer space who is about to unveil his greatest creation - and have a bit of fun with his reluctant guests! (official distributor synopsis)
Videos (1)
Reviews (10)
A really unusual and quirky musical, in which the transvestite Tim Curry stands out the most. I found the plot crazy and off-the-wall, which is not always a bad thing. What I really have to praise were the songs, which together with the colourful sets and costumes created a great audiovisual atmosphere. The young Susan Sarandon was also a delight. In short, an original film that may not appeal to everyone, but I found it above average.
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What more can I say about the presumed musical legend, than that its humor, as well as the individual songs, were just not my cup of tea. And I respect the British humor as well as I respect a similar sounding music. Nevertheless, since I’ve heard endless stories of how people are dedicated to this movie, I will refrain from a more in-depth review. It will be for the better.
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Transvestism, playing with bisexuality, fetishism, and voyeurism combined with 70s pop art and classic rock and roll, all in the form of a musical that looks like a parody of B-movie sci-fi horrors. However, any plot is purely secondary, and it can generally be said that looking for deeper meanings in it is a complete waste of time. In reality, it's more stupid than Flash Gordon from 1980, and that's really saying something. Basically, it's about having fun and provoking a bit, as it was projected as a big hit for late-night screenings for older teenagers. From my point of view, what saves it is the music - not that it's exceptionally great, but some of the melodies are quite catchy. Meat Loaf's rock anthem got to me so much that I played it four times in a row. The third star is for originality and overall craziness because something this bizarre is not often seen in movie theaters. Susan Sarandon stands out from the ensemble cast, and I think she had a great time during filming. She probably won't get another role like this in her career. When does an actress of her caliber get the opportunity to wear a skimpy corset like a girl from a brothel and act in such debauchery? Overall impression: 50%.
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I didn't expect to enjoy the film very much. It's talked about too much as a cult classic, but in its case, it's absolutely deserved. Great performances in a brilliantly twisted script, dominated by Tim Curry, and of course, the songs that easily get under the viewer's skin. This is alternative beauty.
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Even in an ordinary screening, without high heels, rattles and rubber gloves, The Rocky Horror Picture Show is endlessly entertaining and, during the existential songs, it is a touching defence of eccentricity and a tribute to the sci-fi and horror B-movies of Val Lewton and William Castle. Thanks to the tastelessness, affectedness and consciousness of its own decadence, every gesture, every prop and every deviant costume screams “camp”. The film dares us to despise it and dance with it. Both surprisingly happen at the same time, inviting us to experience it again and again, just like repeatedly listening to the soundtrack (I’ve had “Touch-a, touch-a, touch-a, touch me” stuck in my head for a few weeks). 90%
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