Directed by:
David LeitchScreenplay:
Drew PearceCinematography:
Jonathan SelaComposer:
Dominic LewisCast:
Ryan Gosling, Emily Blunt, Aaron Taylor-Johnson, Hannah Waddingham, Winston Duke, Stephanie Hsu, Teresa Palmer, Ben Knight, Matuse, Adam Dunn, Zara Michales (more)VOD (3)
Plots(1)
He’s a stuntman, and like everyone in the stunt community, he gets blown up, shot, crashed, thrown through windows and dropped from the highest of heights, all for our entertainment. And now, fresh off an almost career-ending accident, this working-class hero has to track down a missing movie star, solve a conspiracy and try to win back the love of his life while still doing his day job. What could possibly go right? (Universal Pictures US)
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Reviews (12)
Ryan Gosling and Emily Blunt are great, David Leitch clearly enjoyed being able to make a film about his own craft... But I stopped believing almost everything in The Fall Guy after about half an hour, when the main plot was in full swing. As with the previous Bullet Train, it became a parade of not entirely believable to the point of stupid situations, from which only the split-screen conversation and the action scene with the container stood out. On top of that, the film was terribly long, and could have ended an estimated three times before the very end. Too bad. I'm not one of those people who constantly claim that the grass was greener and the sky was bluer before, but here it must be said that an honest film that glorifies the profession of stunt work and is genuinely funny, wacky and believably romantic was made 47 years ago, Animal with Belmondo
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If you're going to make an unpretentious action comedy, this is how you do it. Putting aside the most questionable thing – the crime plot at the heart of the film is very simple and silly, but it's not really the point, the whole thing is pulled along by both the action-packed stunt attractions, but mostly by the charisma of the two leads. Ryan Gosling and Emily Blunt work great together, they have visible chemistry and their verbal banter at times almost makes you think of classic screwball romantic comedies. It's actually a nice love letter from Drew Pearce and David Leitch to all the stuntmen, the "invisible" crew members and filmmaking in general, and the idyllic romanticization of the whole creative process without a single hint of cynicism works very well for the audience.
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The Fall Guy has a bit of a slow and slapdash start, but from Colt's return to the set, the film jumps into a brisk wave of action that isn't slowed down even by the closing credits. David Leitch mixes action comedy with romance and crime in a likeable way, with all the genre levels working well together. I've always liked Emily Blunt, and Ryan Gosling is definitely more suited to the distressed stubble than Ken's face. I also liked how the film pays homage to the stunt craft and all the "no-names" who risk their lives so that "famous" stars can shine. Last but not least, I must not forget to mention the excellent parody of the space opera genre and the eye-rolling, or rather humming, of the "dune saga".
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The Fall Guy is pure cinematic entertainment. The concept is based on the eponymous 80s series, so today's film nostalgically nods to the aesthetics of that time. The film within the film that the crew is shooting seems straight out of the era's sci-fi Metalstorm: The Destruction of Jared-Syn. Nonetheless, today's experience richly benefits from the entire mixture, offering a kind backstage glimpse, the hyped charisma of Ryan Gosling (seriously, who has a bigger sexy credit today, Ryan or Jason Momoa?), and an insider's view of formal jokes, where even editing, montage, and the whole mise-en-scène react to pop culture references in the dialogue. For cinephiles, it's a fully satisfying experience, but even those viewers who don't catch half of the references can still enjoy it.
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Better than Dune! Excellent, imaginative, romantic comedy with polished action and filmed with incredible flair. David Leitch reminisces about his stunt years and inspires lots of little kids to get punched, smashed and knocked down, then deepfake them into the star of the film. Ryan Gosling in The Nice Guys mode and Emily Blunt in superwoman mode are having an incredible time, and the chemistry is conjuring unicorns before your eyes.
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