Directed by:
James CameronCinematography:
Adam GreenbergComposer:
Brad FiedelCast:
Arnold Schwarzenegger, Linda Hamilton, Edward Furlong, Robert Patrick, Michael Edwards, Earl Boen, Joe Morton, S. Epatha Merkerson, Danny Cooksey (more)VOD (5)
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A decade after Sarah Connor (Linda Hamilton) destroyed the original Terminator, a second unstoppable killing machine (Arnold Schwarzenegger) arrives from the post-apocalyptic year 2029. But this time his mission is to stop an even deadlier Terminator, the T-1000 (Robert Patrick), made entirely of shape-shifting liquid metal and determined to kill young John Connor (Edward Furlong), the future leader of the human resistance. Sarah, John, and the Terminator counter by going after the scientist responsible for developing Skynet, the computer system fated to destroy humanity, leading to an explosive and spectacular clash with the fate of humanity in the balance. (TriStar Pictures)
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Reviews (12)
What can I say other than praise. Right from the first viewing, I encountered the extended version, and those 154 minutes are absolutely unique at first sight. I've never liked Arnold Schwarzenegger as much as I do here, and James Cameron's explosive ego I accept without question. Exciting action, amazing special effects, and one of the best villains I've ever seen, and the Terminator cocking a shotgun with one hand.
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This is total overkill in several filmmaking disciplines that hasn't been knocked into the dust by time or silicon by better-refined followers. It's all been said about it already, but the unwritten Cameronian dictum that action scenes must serve the story and not the other way around ages like a fine wine with every unnecessary megabyte of data generated, and it's a wonder that there haven't been many action blockbusters that work on a similar principle in the twenty-six years since. Personally, I'll always prefer the uneven trench warfare of planetoid LV-426, but I still very much understand why this fully holds up in the genre battle even after blowing away all the nostalgic overlay in this millennium. This will survive judgment day because it's... (see the beginning of my comment).
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A seminal film, not only in science fiction, but in cinema as a whole. The fastest 150 minutes of my life, the most entertaining and at the same time most stylish action flick in history, better than anything by Spielberg or Ridley Scott. The story is again simple, but memorably upgraded with chilling flashforwards, a dash of perfectly workable value philosophy ("I swear I won't kill anyone") and of course the duel between two fantastic movie characters – the sinister machine, who gives you goosebumps and ranks among the best villains ever, and Arnold, who is more than just cool, and his building human relationship with John Connor is the biggest highlight of the whole film. The inimitable and touching finale only underlines all the genius. I'd probably propose to Cameron if I happened to meet him somewhere .... I just wouldn’t be able control myself. :))
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James Cameron was not, is not, and never will be a directorial wimp, as the vast majority of entries in his filmography are icons of their genre, and Terminator 2 is certainly no exception. I'm not a big fan of action movies, and in fact I don't even seek them out, but this classic changed my opinion of this type of film from a certain angle. All the action sequences and chases are absolutely perfect and authentic, which is not that common for that time. And when it comes to the special effects, I just stared in disbelief, thinking "Is this really from 1991?!" In the first one, every visual effect was accompanied by a lot of choppy movements, but here everything goes like clockwork. Schwarzenegger was just born as a Terminator and this role suits him best of all his other characters. In short, a timeless sci-fi film that won't get old with time and I will definitely find time to watch it again in the future.
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In the first film, the heroes fought for their lives, and the good rule of the second film is that twice as much must be placed on the bet. Cameron fulfilled his commitment, and so the marvelous trio of warriors are fighting not only for existence, but now above all for the future. The script cleverly developed Kyle's words about fate, and Judgment Day is such a dramatic struggle for the right to change what was determined the first time. While machines act as exotic oddities in the first film (in accordance with the times), the second film does not deny the onset of the silicon age. Computers are a common part of human existence, and Cameron rightly points to the threat of diluting human intelligence with a virtual one. But since T2 is massively leaning on the power of silicon as the first film in history, the message goes the other way: even a machine can think like a human. Arnold has a top performance as the humanized Terminator. If there hadn't been such a strong disregard for the genre among academics, it would have been at least nominated for an Oscar that year. One tends to believe in the machine with the learning module. To this day, I'm not convinced that the Governor doesn't have a metal chassis under his skin. If James Cameron based T1 on excellent action, T2 is brilliant professorship. No one (and I stand by that) has been able to elevate the "fallen" genre to the level of art without alienating himself by low means. The lightness with which Cameron juggles emotions and pumps adrenaline, the genius of the action scenes (again, still unbeatable) and the overall apocalyptic touch are among the film's crowning displays of power. That's not the opinion of an intellectual, but of a man who grew up on T2 and, after years and hundreds of films, watched it again, found Cameron's pet to be at least as powerful. Like the time I woke up in the morning and dreamed on the way to elementary school that the door would open and Arnie would join me with a slightly crooked smile.
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