Directed by:
John CarpenterScreenplay:
Bill LancasterCinematography:
Dean CundeyComposer:
Ennio MorriconeCast:
Kurt Russell, Wilford Brimley, T.K. Carter, David Clennon, Keith David, Richard Dysart, Charles Hallahan, Peter Maloney, Richard Masur, Thomas G. Waites (more)VOD (4)
Plots(1)
MacReady (Kurt Russell) and his team of twelve Antarctic researches unearth and inadvertently defrost a hideous, 100,000-year-old alien life form. Havoc ensues as the isolated scientists struggle with a foe that is a shape-shifting misanthrope. The remaining men are soon faced with the task of determining who's who in order to ensure their survival. (official distributor synopsis)
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Reviews (13)
They’re not who they are... Thanks to the tense atmosphere and awesome psychological aspect, this is on its way to being perfect. But unfortunately Carpenter pulls the “monsters" out of his sleeve too early. I would have preferred just a sense of unseen evil, especially when the monsters turn out to be unfrightening stuffed toys. The scenes that get by without them and rely purely on atmosphere and actors (or dogs) get full marks. If it had lasted out longer without those DNA blood clots, then... But enough ifs (but if somebody were interested how awesome it could have been, take a look at an episode from season one of The X-Files titled Ice which pays tribute to The Thing). But I still, I’d really like to see a prequel of this, showing the events at the Norwegian base. So, just watch this movie, it’s the right Thing to do…
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In my opinion, this is the best film by John Carpenter, who managed to extract the maximum out of the B-movie concept and, thanks to his excellent and imaginative direction, created a lasting cult film in the horror genre. The film is based on John W. Campbell's short story "Who Goes There?" from the classic golden era of American science fiction, and although it is often rumored that the film is usually weaker than the book, Carpenter knocked out Campbell. By the way, it is a remake, as the first film version was already made in 1951. While in the story, the creature takes on the form of a classic alien from space, Carpenter works with hints and combines solutions to scientific problems while creating a paranoid atmosphere of distrust and horror, where nobody knows if the person in front of them is really who they claim to be. Excellent camera work and music, very decent special effects shots for its time, but above all, a screenplay that maintains tension until the last second. The whole film builds up to a chilling, depressing, and completely hopeless ending. It was a very helpful role for Kurt Russell. It is also noteworthy that at the time, the film was coldly received not only by critics but also by the audience, and then it slowly gained recognition among film fans before becoming a classic. Carpenter managed to create a more emotional work with minimal resources than Scott did with a huge budget and the support of an influential film studio in Alien. Overall impression: 95%.
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A horrifying parade of disgusting special effects with bodies disintegrating and mutating into hideous slimy creatures, the human head with spider legs is very cool. The chilling atmosphere of hopelessness and isolation perfectly underscores everything. We can only thank Carpenter for his bold directorial concept and the distribution company for having the courage to put this into wide distribution in its time.
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I'll admit this one got me. As always, great atmosphere (I managed to nibble on the Encyclopedia of Fantastic Film while watching it), decent Morricone music, a pretty good Kurt Russell, really good visual effects for its time and above all a brilliant ending. I love this movie!
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I don't like horror as a genre, but survival horrors are an honorable exception. And The Thing is almost a perfect representative, apart from the repulsive "gore" scenes, it contains something much more effective – a game with the psychology of the viewer. The principle of placing a group of characters in an isolated place (in this case, the white plains of Antarctica), making it impossible to escape (in this case, a massive storm) and exposing them to an enemy that can hide inside any of them is proven, but nowhere does it work as perfectly as in The Thing. The minimalist screenplay draws attention to the raw atmosphere, the replicas of the characters are more so purposeful, everything important can be seen and, above all, FELT. Something almost physically palpable comes out of The Thing - fear is not felt by artificial props, but by real experience. When the Thing appears, there is almost relief... Real fear is ignorance, insecurity. In short, this is how I imagine the perfect horror about surviving in extreme conditions. And the atmosphere of the polar base is so unique that The Thing probably won't be improved upon any time soon.
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