Directed by:
Paul W.S. AndersonScreenplay:
Paul W.S. AndersonCinematography:
David JohnsonComposer:
Harald KloserCast:
Lance Henriksen, Sanaa Lathan, Raoul Bova, Tommy Flanagan, Ewen Bremner, Colin Salmon, Pavel Bezděk, Petr Jákl, Eoin McCarthy, Jan Pavel Filipenský (more)VOD (3)
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Deep below the frigid Antarctic among the remains of an ancient civilization, an epic war is about to begin--with the fate of the world in the balance! Dying industrialist Charles Bishop Weyland leads a crack team of experts into the icy continent after his company discovers a pyramid more than 2000 feet below the surface. Led by a less-than-zealous guide (Sanaa Lathan), the group heads into the underground lair only to discover they have been lured into becoming part of a furious battle between two bloodthirsty extraterrestrial species--the chameleonic Predators and the slime-dripping Aliens. (Home Box Office)
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Reviews (9)
Alien vs. Predator is surprisingly well-filmed with nice special effects, dynamic editing and brisk action. And though the first fight between the Predator and the Alien was unwatchable, it still filled me with the rapture of my teenage years. What drags the film down to the level of average, however, is the UNBELIEVABLY stupid screenplay. The fact that Paul W.S. Anderson only steals wouldn’t matter so much, but the way that he sticks the stolen bits together with even more careless glue is a sight to see. With a better screenplay and longer runtime, this could have been excellent entertainment. P.S.: I was a bit bothered by the overall “humiliation” of the Alien race. Personally, I have more respect for it than I do for the plodding Predators.
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Paul W. S. Anderson made another one of his classics, which doesn't fundamentally deviate from his abilities. It's such a shame that the story is incredibly banal because otherwise, it’s too long. It needed more thought, then one wouldn't just appreciate the great masks. This film just shows that in the new millennium, Aliens and Predators don’t have much of a place.
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Ugly and uglier, as one of my friends aptly proclaimed. And in the midst of the ugly, a group of more or less handsome humanoids are desperately trying to survive... Paul W. S. Anderson filmed a very grateful theme, but instead of an atmospheric mix of claustrophobic tension and dynamic action, as offered by the computer game of the same name, an initially thrilling, then extraordinarily predictable murder story with an emancipated heroine and a ridiculous story emerged from it all. Unfortunately, the heroine isn’t anywhere near as good as Ripley, and her survival journey is full of pretty nice action sequences, but she lacks suspense and the ability to grab the viewer’s attention. It’s too bad, because the introduction to the film is quite promising, but then, unfortunately, the tension disappears in the regiments of quite-visible monsters. Anderson just shot a B-movie with average A-movie effects. A pleasantly-killed hour and a half, but the film’s credit does not increase in any way with the ugly (Predators) and the uglier (Aliens), quite the opposite. AvP is just a parasite... 50%
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Alien is downgraded to a drooling game of hopscotch, leaving the remnants of its sophistication in the original tetralogy – and for that alone, Paul W.S. Anderson has failed me again this time. While it's more boredom than a major annoyance that the unappealing main characters have to spend time acquainting themselves with the chilling environment and themselves. But when the alien newborn hatches a few minutes after meeting the facehugger, the queen agilely scampers around, and the predator senselessly respects the insignificant human, I wearily bury my head in my hands and give up. Shameful.
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Oww. Utter idiocy and Anderson's unintentional handbook for "How to not make a great movie, or any movie at all". Anderson takes two of the MOST BRUTAL sci-fi creatures and throws them into a PG-13, places the story on the ground, which matters not one bit because the whole thing takes place in the parrot-eyed bowels of some kind of pyramid, and throws in a hodgepodge of characters so stupid and unsympathetic as fodder that you struggle to identify with at least a nearby piece of ice. To find so much as a relationship with even one of them is a task for the greatest masters of empathy, because when they're not commenting on what we're seeing, they're analyzing facts at the level of elementary school children (first grade). The relationship between them is always implied with one shot of about a second and that's the end of it. Another certainly calculated move was to pick from these maximally murderable characters the absolute most nerve-crawling and make her the protagonist and the predator her pet. Then we can indulge ourselves solely on the action, and there are two action scenes... one of them an absolute mockery of the aliens as creatures and isn't worth much, and the other one with the mother of the aliens is actually pretty good (that's probably the one star). All in all, AVP is a terrible B-movie, unlike the decent second installment, but it makes itself out to be a big-budget film and I won't forgive it for that. Dreck shit crap evil. PS: The film contains an incredibly funny scene where a pyramid hologram appears in front of everyone in the briefing room and Weyland says: "Our leading experts have learned that it's shaped like a pyramid." Why didn't any 14-year-old boy get a job on the script…
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