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Having already crossed two names from her Death List, the Bride resumes her quest for justice, taking aim at Budd and Elle Driver, the only survivors from the squad of assassins who betrayed her four years earlier. It's all leading up to the ultimate confrontation with Bill The Bride's former master and the man who ordered her execution. (Miramax Films)

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Reviews (11)

J*A*S*M 

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English A star better than Vol 1. It has more good dialogues (which is where Tarantino traditionally excels), the story is told in a more interesting way (the first part is pretty straightforward, unlike the second) and there’s less action (which I don’t think it’s bad). The scene with Pai Mei, who loves to constantly fix his moustache, is hilarious. ()

Necrotongue 

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English The second part of the story was built up in a different way than the first one. To be honest, I liked the original style a little better. The second film was full of lengthy dialogue the absence of which surprised me last time. I was disappointed because it did not reach Tarantino’s standard quality. In fact, I couldn’t help feeling that Quentin Tarantino gave the first film his all, and the second one fell short of my expectations. I’m not saying it was bad, it just didn't reach the level of its predecessor. Again, I managed to see past some gaping logic holes, I even liked how they were used to create black humor. What disappointed me was the little girl. I'm not a big fan of kids, but I've seen a few in my lifetime, and I think that even if they know you from photos and stories, they probably won't run up to you full of excitement the first time they see you. P.S.: I’m giving the film four stars because of Samuel L. Jackson's role of a lifetime. / Lesson learned: If you want to get rid of someone, bury them alive as a vampire. 4*- ()

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DaViD´82 

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English While the first movie was just a showcase of Tarantino the director, this time the story gets a word in. Uma no longer has to strut her kung fu stuff, so she no longer looks like a paddle come to life and, most importantly, Quentin has moved closer to Sergio Leone. Which greatly benefits the movie (and Tarantino). A massive benefit! ♫ OST score: 4/5 ()

novoten 

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English Although both parts are mainly different in terms of expression like day and night, Kill Bill is still a unique and cohesive film work that functions in every aspect. Combining neowestern with samurai swords is such an eccentric idea that it could only result in a disaster or an unforgettable experience. It is to Tarantino's credit that he accomplished the latter, and his creation matures at an unexpectedly fast pace. ()

POMO 

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English I rate both parts of Kill Bill highly. They are a pure pleasure for me, as they fully satisfy my cravings as a movie fan. However, I don’t like the fact that the saga as a whole is divided into two films. That’s partly because there is a spoiler at the end of the first one solely for commercial reasons, which kills the main point of the entire 200-minute saga. And also because the individual parts are stylistically incongruous. After watching the first one, I wanted the second one to have the same brisk pace and eccentric style. And when watching the second one, I longed to experience the events of the first one in the same crystal-clear Tarantino form (slower pace, intense dialogue) that the second one has. ()

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