Directed by:
Darren AronofskyCinematography:
Matthew LibatiqueComposer:
Clint MansellCast:
Ellen Burstyn, Jared Leto, Jennifer Connelly, Marlon Wayans, Christopher McDonald, Louise Lasser, Marcia Jean Kurtz, Suzanne Shepherd, Mark Margolis (more)Plots(1)
Twin stories about different kinds of addiction: A young man (Jared Leto) who along with his best friend (Marlon Wayans) and girlfriend is addicted to heroin, dreams of transcending his life of hustling and owning a store in New York City, while his mother (Ellen Burstyn), depressed and obsessed by television and diet pills envisions her chance to shine again on a game show. (Lionsgate Home Entertainment)
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Reviews (13)
Aronofsky’s audio-visual approach makes use of absolutely all of his medium’s means of expression in order to totally and mercilessly overwhelm the audience. One of the many fitting aspects of this film consists in how long everything is seemingly fine in the lives of the characters and then the sudden realisation that they’ve been treading water in an ocean of hopelessness. We are all dependent on something and we create delusions to justify and even feed our dependencies without having to see the reality around us. It’s easy to find everyone or at least a reflection of someone close to you in the four lives depicted in Requiem for a Dream. During the closing credits, there is nothing left to do but curl up in a ball and keep dreaming your dream. Though first contact with this film is unrivalled in terms of the intensity of its impact, seeing it again after roughly two decades is no easier or more merciful, because then you know what awaits the characters.
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After a second screening I have to say that Requiem for a Dream has become one of the most influential and powerful film experiences of my life. Few other films can evoke such a feeling of depression and at the same time impress with their first-class formality, which doesn't so much cross the line of perfection as push it by leaps and bounds. If something seemed slightly unfinished or overdone the first time, the second time I was completely swept away by the geyser of fresh ideas and bold shots, everything seemed to be exactly in place and the intensity of the story was all the more overwhelming because it was achieved without any big twists or ideas. It’s almost unbelievable how Aronofsky can wring the viewer out with just a few clever cuts, and how Clint Mansell can create a stifling and unpleasant atmosphere right from the start with a single musical motif that couldn't have been better and makes you wonder how something so beautiful and chilling could have been composed in the first place. And the final trump card is the absolutely amazing cast, Leto, Connely and Wayans give the performances of a lifetime, but all of them are topped by the phenomenal Ellen Burstyn, whose creation is breathtaking and academics deserve a good beating over the head with a dictionary to understand what the word acting means. Maybe I'm writing a bit hastily now, with the central melody and the breathtaking, flawlessly edited final scene still running through my head, but from my point of view this is one of the most worthwhile films of all time. If you've ever thought for even a brief moment about taking hard drugs, watch Requiem for a Dream and the craving will pass quickly. 100%
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Requiem for a Dream confirmed that I really don't like movies about drug addicts. If it weren't for the story of Harry's mother, I'd probably give it a single star for the direction and the music and that would be it. My problem is that I wanted the worst possible ending for virtually all the characters (except for the aforementioned Sara Goldfarb) from the very beginning. And that is why the ending, praised by many, full of emotions and evoking depression, didn't touch me particularly. All in all, I think the only thing that really impressed me was the (brief, because I always closed my eyes) sight of that inflamed hand. Two and a half stars.
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I’ve just watched it and I’m full of impressions. This film should be mandatory for anyone thinking about trying drugs. I can’t remember ever watching a more intense and more hopeless film. Even the beginning is no idyll and things only get worse with every minute, and by the end the situation is utterly bleak. Aronofsky seems to be a huge talent and I don’t think it’s too off the mark to say that he’s one of the most promising directors today. The way he plays with images, music and sounds is just perfect, the direction of the dream and hallucinogenic sequences is truly psychedelic. 100%
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Requiem for a Dream is a breathtaking journey into the human mind, which hides countless horrors and phobias in its recesses and is a virtually inexhaustible commodity as a film subject. Who really knows what goes on inside the heads of people who are addicted to any kind of drug? And it is Darren Aronofsky who manages to outline one variant in this powerfully emotional film in a rather convincing and frighteningly realistic way. Ellen Burstyn was incredibly real and embraced her role to the fullest, while being complemented brilliantly by the performances of Jared Leto and Jennifer Connelly. All of the pillars (direction, actors, cinematography, editing, sound... and especially the music) that make up a solid film were firmly planted in the ground, and I just enjoyed the stirring spectacle that raced inexorably towards one of the most impressive conclusions in cinema. In short, the perfect prototype for a psychological drama with a nod to thriller, with which Aronofsky rose strongly in my estimation.
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