Directed by:
Gregory HoblitCinematography:
Michael ChapmanComposer:
James Newton HowardCast:
Richard Gere, Laura Linney, John Mahoney, Alfre Woodard, Frances McDormand, Edward Norton, Terry O'Quinn, Andre Braugher, Steven Bauer, Joe Spano, Tony Plana (more)VOD (5)
Plots(1)
When a blood-spattered altar boy is found running from a murder scene, his conviction seems certain -- but his attorney is determined to win the case. (Netflix)
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Reviews (11)
Primal Fear is gripping, and it is unexpectedly brutal in detail considering it is a mainstream thriller. It is a movie that is well made in every way, with the debut of Edward Norton in a supporting role, who succeeded in perfectly and totally eclipsing the star powerhouse lead that was Richard Gere and it actually fits the tone of the movie perfectly. Bravo.
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I've found that courtroom thrillers are my kind of thing. This film is so well written, acted, intelligent, suspenseful, breathtaking in places, and with an amazing and unpredictable final twist, that I really can't fault anything. Richard Gere is brilliant, I've never liked him, but here I was a big fan, and Edward Norton, even as a youngster, so hats off to his talent. 90%
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Thanks to Edward Norton's fascinating performance, this is a solid spectacle that disappoints in all other aspects. Richard Gere's conversations about honor are pointless, as are the courtroom scenes, and Laura Linney will only mature into a charismatic and likable woman several years later. Fortunately, the finale picks up momentum and reaches the ending I expected and wanted. Without moralistic lectures, it is decent enough for a single viewing, but ultimately forgettable.
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Very strong 4*. Thrillers set mostly in courtrooms may smack of boredom, but I have the best experience with them and I always enjoy watching them. Moreover, Primal Fear is one of the better films in this category. The plot is the kind that has been rehashed a hundred times, but it’s excellently executed and brilliantly supported by the truly great performance of Edward Norton. He literally shines here and, in my opinion, adds a different dimension to the concept of a movie psychopath. Of course, Richard Gere also deserves praise, he doesn’t disappoint in the lead role and portrays the character of the arrogant lawyer very well. The dialogue is tolerable and meaningful to a given extent, and although the story is rather tedious and flows along slowly, it’s easy to follow, and after watching it, the positives in the form of the actors and also the direction clearly prevail.
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Although quite uninteresting thematically, in the end it is a solidly directed one-off from typical 1990s production. That is, during a time when Richard Gere was still a sensation and elegant, not playing tormented policemen or morally conflicted middle-aged men. Moreover, it is perhaps the first time that Edward Norton also appears on the big screen, playing his part phenomenally – though the entire screenplay, which relied primarily on his performance and role, was ultimately somewhat predictable. But this does not change the fact that the film is definitely worth seeing for those who enjoy lawyers and courtrooms, as there are several excellent scenes along those lines.
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