Directed by:
Ted KotcheffCinematography:
Andrew LaszloComposer:
Jerry GoldsmithCast:
Sylvester Stallone, Richard Crenna, Brian Dennehy, Bill McKinney, Jack Starrett, Michael Talbott, Chris Mulkey, John McLiam, Alf Humphreys, David Caruso (more)VOD (3)
Plots(1)
Sylvester Stallone stars as ex-Green Beret John Rambo, a shell-shocked Vietnam vet adrift in the Pacific Northwest. Harassment by an unsympathetic small-town sheriff brings on nasty flashbacks of torture at the hands of the Viet Cong; after busting out of the jail where he has been unjustly imprisoned, our psychically-scarred hero vows to get revenge on the ungrateful sheriff. Before blowing the sheriff and his town away, however, Rambo must use his jungle smarts to elude the relentless posse of state troopers and National Guardsmen who pursue him through the forest. (official distributor synopsis)
(more)Videos (3)
Reviews (12)
Today's rewatch wasn't my first, of course, but I felt it was time to jot down my thoughts on the movie. Well, I have to admit that the film still resonates with me after all these years. It's got well-executed action, suspense, and that gloomy atmosphere. However, now that I'm not twelve anymore, I couldn't overlook what was, and I think still is, its main message. When a country sends its soldiers into a war conflict that ends in defeat, these soldiers become, in a way, unwanted upon their return, serving as a reminder of that loss. The United States essentially cast aside the Vietnamese veterans, and I'm not just talking about the politicians. Many of these guys were sent to a place they didn't want to be, to do things they didn't want to do, and upon their return (if they returned), they often believed that human life, including their own, had little value. Instead of help, they found everyone turning their backs on them. This movie highlighted that stark reality. / Lesson learned: When someone points "the pig" at you, it may not be as funny as it sounds.
()
This is a kind of timid oscillation between action and psychological thriller, which can be watched with a certain amount of nostalgia - even though the action parts have become outdated and the psychology therein has never been a focal point. It’s a neat little monument to the 1980s that is still worthy of maintenance.
()
A great show throughout, except for the ending when Sly flexes his musculature, machine gun in hand, giving a hint of what's to come in the following episodes. Otherwise, Stallone is very believable, and in the moments when he wages his uneven guerrilla war hidden somewhere in the woods, it’s impossible not to root for him.
()
I didn't expect something so brilliant. Rambo is not a mindless and dull action movie, everything has at least a small dose of reality and credibility, which gives this film a stamp of perfection. The story's framework is simple, but this film excels in the details. Excellent locations in rugged mountain areas, suggestive and captivating music by Jerry Goldsmith, roughness and realism in both the action and the intimate scenes.
()
During my prepubescent years, the first Rambo was, for me, a pure action-filled masterpiece with almost an artistic psyche, making me appreciate myself for having it as my favorite of the entire series. And though it no longer makes sense to expect anything more from the prologue of a sad killer's story, John remains for me an unquestionable action idol.
()
Ads