Directed by:
John G. AvildsenScreenplay:
Sylvester StalloneCinematography:
James CrabeComposer:
Bill ContiCast:
Sylvester Stallone, Talia Shire, Burt Young, Carl Weathers, Burgess Meredith, Thayer David, Joe Spinell, Jimmy Gambina, Bill Baldwin, Al Silvani, Jodi Letizia (more)VOD (3)
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Rocky Balboa is a struggling Philadelphia boxer who is scorned by his gym's owner, patronized by a local loan shark and rebuffed by a shy plain-Jane, whose brother keeps trying to engineer a romantic match. Heavyweight champion Apollo Creed comes up with the Bicentennial gimmick of touting a new fight as the chance for a nobody to become a somebody while planning to easily win the bout himself. But someone forgets to tell Rocky, who trains earnestly for the fight, and comes out swinging. (Showtime)
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Reviews (11)
I fell in love with this movie as a child, and it still remains a powerful spectacle for me, hitting exactly the right notes. Sylvester Stallone delivers an incredibly genuine performance and is believable in his role like never before. Thanks to that, one can easily empathize with him and slowly climb to the top with him, which he eventually reaches, albeit perhaps in a different way than originally expected. Today it may seem a bit cliché, but that's because many films have drawn inspiration from Rocky’s beautiful endurance and the effort to achieve the impossible. Sly wrote a great screenplay that nobody else could have played better. It's almost a shame he turned the story into a series, but I still can't wait to watch the rest of them after the first film.
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There is strength in simplicity. A still completely unknown Sylvester Stallone triumphed with a magnificently written script, where one clever dialogue follows another, and he further enriched it with the so-called wooden acting, which has been so criticised. But let's be honest, can you imagine someone else under the name Rocky? America in the 1970s is truly timeless.
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A film that bestowed immortality on its lead actor and etched itself into the eternal subconscious of a fanbase that other high-budget films can only dream of. Sylvester Stallone wrote the role to fit him to perfection, and it shows. Even his sappy moral lectures and life advice have something to them, and his relentless work and preparation for the final, emotion-packed fight is the most impressive thing Hollywood has ever offered in its sports section – until Warrior, that is.
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Miracles happen sometimes. The boxer Rocky lasted all rounds undefeated in his fight with the heavyweight champion of the world, and this B-movie, from which nobody expected anything, went for the highest standard and received two major Oscars. And a third miracle on top of that: the until then unknown Sly Stallone received two Oscar nominations, including the script, full of great dialogue, which he wrote in three days. Sly lived the American dream and rose to stardom.
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The naive story of the great American dream coming true is not Rocky's main issue. On the contrary, despite its simplicity, it is very believable. The problem lies in the overall execution, starting with the somewhat lacking writing skills of Sylvester Stallone and continuing through the direction to the acting performances. The first half is absolutely (!) unnecessary, the attempt to delve into the psychology of the characters is wasted due to the lack of directorial innovation, and boredom is inevitable, leading to yawning. In the second half, the plot and pace pick up towards a more promising potential, which, however, is again squandered due to the constant repetition of lines about a little insignificant man who was offered a life-changing opportunity (it only needed to be said once!). The final match doesn't surprise in any way, not only with its outcome but also with the dry impression of the used form. I would like to nostalgically close my eyes, but for some reason, I just can't do it.
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