Directed by:
John G. AvildsenScreenplay:
Sylvester StalloneCinematography:
James CrabeComposer:
Bill ContiCast:
Sylvester Stallone, Talia Shire, Burt Young, Carl Weathers, Burgess Meredith, Thayer David, Joe Spinell, Jimmy Gambina, Bill Baldwin, Al Silvani, Jodi Letizia (more)VOD (3)
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Rocky Balboa is a struggling Philadelphia boxer who is scorned by his gym's owner, patronized by a local loan shark and rebuffed by a shy plain-Jane, whose brother keeps trying to engineer a romantic match. Heavyweight champion Apollo Creed comes up with the Bicentennial gimmick of touting a new fight as the chance for a nobody to become a somebody while planning to easily win the bout himself. But someone forgets to tell Rocky, who trains earnestly for the fight, and comes out swinging. (Showtime)
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Reviews (11)
I've always liked Rocky, and every time I see it again, I'm amazed. It will probably never cease to amaze me how natural the whole film feels, how it does without a single cliché and how likeable its main character is. And best of all, it owes it all to Sylvester Stallone, actor, writer and fight choreographer. I'm not usually interested in boxing unless there's an interesting story behind the violence. But Rocky (like Raging Bull or Somebody Up There Likes Me) has just such a story.
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A film that bestowed immortality on its lead actor and etched itself into the eternal subconscious of a fanbase that other high-budget films can only dream of. Sylvester Stallone wrote the role to fit him to perfection, and it shows. Even his sappy moral lectures and life advice have something to them, and his relentless work and preparation for the final, emotion-packed fight is the most impressive thing Hollywood has ever offered in its sports section – until Warrior, that is.
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The years and Stallone’s reputation may have made Rocky a legend among sport dramas, but as someone who doesn’t like the genre, I have to say that it’s just a run-of-the-mill movie. It’s well made, yes, but also ordinary, and even uninteresting. I don’t feel at all like watching the entire saga.
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This film about the American dream is all the more natural, convincing and powerful the less it tries to be spectacular and cater to the audience at all costs. It is the humble inception of a legend, not yet aware of its future historical importance. Rocky is the purest film definition of Sylvester Stallone, both as an actor and as a person.
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Miracles happen sometimes. The boxer Rocky lasted all rounds undefeated in his fight with the heavyweight champion of the world, and this B-movie, from which nobody expected anything, went for the highest standard and received two major Oscars. And a third miracle on top of that: the until then unknown Sly Stallone received two Oscar nominations, including the script, full of great dialogue, which he wrote in three days. Sly lived the American dream and rose to stardom.
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