Directed by:
John G. AvildsenScreenplay:
Sylvester StalloneCinematography:
James CrabeComposer:
Bill ContiCast:
Sylvester Stallone, Talia Shire, Burt Young, Carl Weathers, Burgess Meredith, Thayer David, Joe Spinell, Jimmy Gambina, Bill Baldwin, Al Silvani, Jodi Letizia (more)VOD (3)
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Rocky Balboa is a struggling Philadelphia boxer who is scorned by his gym's owner, patronized by a local loan shark and rebuffed by a shy plain-Jane, whose brother keeps trying to engineer a romantic match. Heavyweight champion Apollo Creed comes up with the Bicentennial gimmick of touting a new fight as the chance for a nobody to become a somebody while planning to easily win the bout himself. But someone forgets to tell Rocky, who trains earnestly for the fight, and comes out swinging. (Showtime)
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Reviews (11)
An uncomplicated hero steadfastly walking toward fulfilling his American dream with an appropriate dose of genre clichés, sweat, blood, and an easily predictable ending. Given that when it comes to Sylvester Stallone's acting talent - how can I put it diplomatically - I am, let's say, reserved, and I really don't like boxing as a sport and entertainment (if I had to choose between having dinner with Mike Tyson or Hannibal Lecter, I would invite the latter without hesitation), I struggle to find a reason to give more than 2 stars. Overall impression: 45%.
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The years and Stallone’s reputation may have made Rocky a legend among sport dramas, but as someone who doesn’t like the genre, I have to say that it’s just a run-of-the-mill movie. It’s well made, yes, but also ordinary, and even uninteresting. I don’t feel at all like watching the entire saga.
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I've always liked Rocky, and every time I see it again, I'm amazed. It will probably never cease to amaze me how natural the whole film feels, how it does without a single cliché and how likeable its main character is. And best of all, it owes it all to Sylvester Stallone, actor, writer and fight choreographer. I'm not usually interested in boxing unless there's an interesting story behind the violence. But Rocky (like Raging Bull or Somebody Up There Likes Me) has just such a story.
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This film about the American dream is all the more natural, convincing and powerful the less it tries to be spectacular and cater to the audience at all costs. It is the humble inception of a legend, not yet aware of its future historical importance. Rocky is the purest film definition of Sylvester Stallone, both as an actor and as a person.
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The duel of an outsider with a favorite remains an eternal topic in the sports genre, and when the main protagonist himself writes the script about a person who stood up to everyone who didn't believe in him, the only thing left for perfection is some equivalent from the real world. Maybe the one when the Academy really ate it up back then and awarded both Sylvester Stallone and Rocky a few shiny statues. The fact that a series was eventually born out of such a unique tale is actually a pity, but that's a different story.
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