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When Jesse and Celine met on a Eurail train, the connection between them was immediate and profound. The 14-hour relationship that followed, as the pair explored the spontaneous and unexpected in Vienna, ended on a train platform where they swore they'd meet again six months later. Nine years have passed since that morning. On the last stop of his book tour, at the tail end of a reading in a Paris book shop, Jesse finds Celine watching from the back of the room. She lives in Paris now, he in New York. He's flying out that evening and they utilize every moment, finding their human connection no less vital, inspiring or real than it was in nine years ago in Vienna. In real time, these two individuals explore the inner workings of their hearts and minds and rediscover their rare yet powerful love for the unexpected, the unrehearsed, and each other. (official distributor synopsis)
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Even though the film is only 80 minutes long, I got pretty bored at times. Some of the dialogue was rather uninteresting. Maybe it was because I hadn't seen Before Sunrise and had nothing to draw on. On the other hand, I like how realistically it's filmed. I'm not a big fan of Julie Delpy, but she works well here. Both act naturally and handle their roles well. 3.5 stars.
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I saw it shortly after finishing Before Sunrise, and at first I was a little scared that they wouldn't be able to recreate the atmosphere. Fortunately, every sentence spoken gains meaning over time, every casual conversation takes on a different dimension, and suddenly Celine is saying, "I was fine until I read your fucking book!" and I break down into molecules just like Jesse. The second viewing elevates Richard Linklater's work to the unforgettable, and with its more mature but no less magical storytelling spirit, it manages to grab the viewer and fill them to the brim with emotions and experiences.
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I have the opposite experience with Linklater's film trilogy than most other viewers. I didn't watch the first part and I gave the second a chance, but I didn't find any great enchantment in it, and it was only the last part that really interested me. With the exception of the opening scene in the bookstore, Before Sunset can be considered an endless dialogue between two people, where the scenery changes only a few times in 80 minutes. I have always liked dialogue-driven films, but here I feel that Linklater is testing the limits of my patience. The conversations between the duo in search of each other in the second part are not as narratively banal as in the first, but I don't find any depth in them by any means. Overall impression: 55%.
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When those two look at each other, you immediately know it’s going to be beautiful. They simply click perfectly, and their meeting is beautiful. After nine years, they see each other for the first time since she didn't keep her promise and wasn't at the place they were supposed to meet after six months. But he came. After nine years, they have the opportunity to talk again and say what they want to. Both are incredibly believable; the camera lets them speak and follows them as they walk through Paris, capturing their words as if documenting the meeting of two real people who haven't seen each other for nine years. A beautiful romance. Just beautiful.
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I'll admit I haven't seen the first movie this one follows. But since this one only loosely follows it, it doesn't matter. I wasn't bored. I enjoyed watching them, listening to them. The whole movie I was tense about how it would end up, because sometimes the expressions the actors threw around were completely ambiguous... :-D Weaker 4*
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