Directed by:
James WanScreenplay:
Leigh WhannellCinematography:
David A. ArmstrongComposer:
Charlie ClouserCast:
Leigh Whannell, Cary Elwes, Danny Glover, Monica Potter, Ken Leung, Michael Emerson, Tobin Bell, Makenzie Vega, Shawnee Smith, Dina Meyer, Benito Martinez (more)VOD (6)
Plots(1)
SAW’s opening scene immediately plunges the audience into the unknown, along with the two unfortunate men, Adam (Leigh Whannell) and Dr. Lawrence Gordon (Cary Elwes), who wake to find themselves chained up in a fetid subterranean bathroom. The captives are the most recent targets of a psychopathic genius known as Jigsaw, who constructs elaborate games that force his victims to make impossible choices between life and death. As Adam and Dr. Gordon struggle to unravel the elaborate puzzle of their fate, Detective Tapp (Danny Glover) and his colleague Kerry (Dina Meyer) work furiously to determine Jigsaw’s identity before he can claim yet more victims. But Jigsaw has accomplices – whose willingness is not entirely clear – and his meticulous planning enables him to escape. (official distributor synopsis)
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Reviews (13)
An atmospheric slaughter movie that I found surprising thanks to some of the twists. Great ideas put into practice well. Wan certainly knows his stuff. It was pleasant to see many well-known and quality actors alongside some unknown ones. But it isn’t so brutal and doesn’t make you jump, so don’t be afraid. ;)
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A delight. The triumph is not so much the story itself, but rather its imaginative compositional structure – the uncompromising way it throws us into the plot, the brilliantly constructed atmosphere of hopelessness and physical danger, and the gradual uncovering of the past, which allows us to patiently, bit by bit, look deeper and deeper into the whole plot scheme and absorb its depressing atmosphere with an ever-increasing heart rate. The action-packed ending almost brings down the seriousness of the whole thing to the level of a furiously edited teenage murder mystery (comparisons with Se7en are therefore inappropriate in this respect and others), but the murderous, unpredictable twist puts a crown on a great script, which despite its exaggerated effect impressed me massively. An innovative and extremely entertaining game with proven genre elements and, among others, absolutely (for most of the runtime) amazing editing and awesome soundtrack... Content-wise, it has its flaws, but formally it’s 5* without any doubt. 85%
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The overwhelming majority of films in this style don't even fall into the B-movie category; they're more like C-movies and have a woefully semi-amateurish character. Saw significantly stands out from these productions with its professionalism and is currently the actual pinnacle of the genre. It boasts a relatively sophisticated script, professional direction, editing, camera work, and acting performances that don't elicit disdainful smiles. Along with its horror atmosphere, strongly naturalistic shots, and effective ending, it creates a perfect cocktail to become a box office hit. On the other hand, the script isn't so well-developed that it can avoid inconsistencies and some clichés. The editing at times resembles music video production, and the flashbacks only serve to delay the story. Overall impression: 60%. Subsequent installments of this film lacked the originality of the original and were merely squeezing money from the pockets of viewers.
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Saw is nothing by very well and effectively filmed bloodbath. James Wan is definitely not a bad director, he is original, inventive, and dynamic, and for the most part, he manages to maintain an almost lethal pace throughout the entire film. The atmosphere and excellent screenplay save a lot, but I still can't help feeling that it is just cleverly written and effectively filmed ordinary nonsense.
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This basic premise gave me not the slightest clue of what I was getting into, and without the knowledge that I would see it countless times in future installments, it was really perfect back then. The despair, the unknown, and people in a strongly oppressive environment and situation still function today. It's a shame that with Jigsaw came the tormented cliché of "I'm aiming at you, but I'll wait until you take the weapon from me", because without it, James Wan would have aimed really high. What the script loses here, it gains with the reveal. It may be problematic, full of holes, and perhaps even impossible, but it can't be taken away from it that it is truly unforgettable. It may not have been the new Se7en, but with a decade of hindsight and the presence of unbalanced sequels, the first Saw has matured into very favorable colors.
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