Directed by:
Ang LeeCinematography:
Rodrigo PrietoComposer:
Gustavo SantaolallaCast:
Jake Gyllenhaal, Heath Ledger, Michelle Williams, Anne Hathaway, Randy Quaid, Linda Cardellini, Anna Faris, Kate Mara, Roberta Maxwell, David Harbour (more)VOD (5)
Plots(1)
Early one morning in Signal, Wyoming, Ennis Del Mar and Jack Twist meet while lining up for employment with local rancher Joe Aguirre. The world which Ennis and Jack have been born into is, at once, changing rapidly and yet scarcely evolving. Both young men seem certain of their set places in the heartland--obtaining steady work, marrying, and raising a family--and yet they hunger for something beyond what they can articulate. When Aguirre dispatches them to work as sheepherders up on the majestic Brokeback Mountain, they gravitate towards camaraderie and then a deeper intimacy. At summer's end, the two must come down from Brokeback and part ways. Remaining in Wyoming, Ennis weds his sweetheart Alma, with whom he will have two daughters as he ekes out a living. Jack, in Texas, catches the eye of rodeo queen Lureen Newsome. Their courtship and marriage result in a son, as well as jobs in her father's business. Four years pass. One day, Alma brings Ennis a postcard from Jack, who is en route to visit Wyoming. Ennis waits expectantly for his friend, and when Jack at last arrives, in just one moment it is clear that the passage of time has only strengthened the men's attachment. In the years that follow, Ennis and Jack struggle to keep their secret bond alive. They meet up several times annually. Even when they are apart, they face the eternal questions of fidelity, commitment, and trust. Ultimately, the one constant in their lives is a force of nature--love. (official distributor synopsis)
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Reviews (7)
Ang Lee doesn't lead the viewer by the hand, and that's intentional. The director is fantastic and Brokeback Mountain is the biggest hit of the year and it absolutely deserves all those nominations. It’s a simple and unpretentious story packed with emotions. The acting is fantastic, there's no point in dissecting it in detail, both Heath Ledger and Jake Gyllenhaal deliver the best performances of their careers. Excellent, incredibly powerful dialogues. A film about a very unconventional love relationship. Without a doubt, the best film of this year.
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Just like a children's picture book, this picture puzzle is filmed in an incredibly captivating way and the characters stand out beautifully. However, the film completely misses any deeper emotional impact in its picturesqueness, which is unfortunately due to the very careful handling of the provocative subject matter. This is due to the fact that if the relationship had been developed between heterosexuals, it would have been the perfect essence of kitsch, which, with the subject of homosexuality, seems more like a cheap pose than an effort to demystify not only the Wild West and cowboys as tough guys, but homosexuality itself.
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I know who would want to watch a movie about two cowboys who have a fling one time out of boredom - yes, both of them are men - and their love lasts until the end, but it really is worth it. This is a story about cowboys, it is a story about love, but also about unfulfilled love. As time changes, so do the protagonists. It shows in their appearance, but also in the fact that their personalities, dreams, and lives change. It may not appeal to everyone. The viewer is already full of prejudices when they find out what the film is actually about. If they are not open to the idea that two guys can simply fall in love, they probably won't enjoy the film at all, maybe they won't even finish watching it. If you want to test how homophobic you are, watch it until the end and see what you feel. Satisfaction or sadness. Based on that, you can finally decide what your stance is on this issue. More: http://www.filmovy-denik.cz/2012/05/kung-fu-dewey-cox-zkrocena-hora-12-opic.html
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Here and now I understand what kind of actor we lost in Heath Ledger. A masterfully written and directed “unconventional western romance” set in incredible exterior compositions, while also being viscerally and powerfully intimate, with hidden emotions and the tragic nature of happiness long held just out of reach. Ang Lee guides the lead and supporting actors in the images and editing compositions as if he is painting a picture. In the atmosphere of the rough American retro-rural setting, he composes a perfectly focused mosaic of quiet desires and dreams, into which the tones of Santaolalla’s subtly complementary music hesitantly bring the cold mountain wind and the dust of the prairie. Every scene is a demonstration of filmmaking precision in constructing characters and telling a story covering twenty years in the lives of two people who could neither live together nor live without each other. And the lives of the people around them, affected by the resulting sad events. ___ Brokeback Mountain devastated me with the minimalist conclusion to the story in the most dignified form of cinematic art – without a trace of kitsch or tear-jerking by any means other than a softly spoken offscreen ending of the story that connects so powerfully with the preceding events that it’s heartbreaking. When they are done right, like Brokeback Mountain and Call Me By Your Name, these sad gay romances have, in the characters’ suffering over their social differences and difficult lot in life, a much more dramatic foundation than conventional hetero relationship films. Another probable reason for that is because it is so much easier to find a new girlfriend when things didn’t work out with the last one than it is to find a strong connection with someone from a group that makes up only two percent of the population. Perhaps it is something like a movie fan coming across a film that’s so well directed only once in a few years.
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A beautiful film, with haunting images and a slow pace narrative that resonates with my tastes, but it’s missing something for the 5*. First of all, I didn't quite believe the depth of the relationship between the two cowboys. As portrayed by Ang Lee, their sexual bonding seemed to be only a temporary romance, the infatuation of two people in the middle of the loneliness of the mountains, but for it to be such a strong and faithful relationship that is so passionate even after four years filled with marriage and children, there would have to be something more, something that is formed over months and years of living with each other and overcoming obstacles. I missed that, which is why I didn't believe their passionate kissing scene when they meet again, but please take that as a very subjective point of view. Otherwise it will be all praise, because what Ledger and Gyllenhaal do can't be called anything else than an ode to acting, and it’s mainly because of them, the beautiful cinematography and the unobtrusive, but impressive musical score, that this film is worth seeing. But don't expect a whirlwind of emotions, they come out rather subtly throughout the film.
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