Directed by:
Ang LeeCinematography:
Rodrigo PrietoComposer:
Gustavo SantaolallaCast:
Jake Gyllenhaal, Heath Ledger, Michelle Williams, Anne Hathaway, Randy Quaid, Linda Cardellini, Anna Faris, Kate Mara, Roberta Maxwell, David Harbour (more)VOD (5)
Plots(1)
Early one morning in Signal, Wyoming, Ennis Del Mar and Jack Twist meet while lining up for employment with local rancher Joe Aguirre. The world which Ennis and Jack have been born into is, at once, changing rapidly and yet scarcely evolving. Both young men seem certain of their set places in the heartland--obtaining steady work, marrying, and raising a family--and yet they hunger for something beyond what they can articulate. When Aguirre dispatches them to work as sheepherders up on the majestic Brokeback Mountain, they gravitate towards camaraderie and then a deeper intimacy. At summer's end, the two must come down from Brokeback and part ways. Remaining in Wyoming, Ennis weds his sweetheart Alma, with whom he will have two daughters as he ekes out a living. Jack, in Texas, catches the eye of rodeo queen Lureen Newsome. Their courtship and marriage result in a son, as well as jobs in her father's business. Four years pass. One day, Alma brings Ennis a postcard from Jack, who is en route to visit Wyoming. Ennis waits expectantly for his friend, and when Jack at last arrives, in just one moment it is clear that the passage of time has only strengthened the men's attachment. In the years that follow, Ennis and Jack struggle to keep their secret bond alive. They meet up several times annually. Even when they are apart, they face the eternal questions of fidelity, commitment, and trust. Ultimately, the one constant in their lives is a force of nature--love. (official distributor synopsis)
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Reviews (7)
A beautiful film, with haunting images and a slow pace narrative that resonates with my tastes, but it’s missing something for the 5*. First of all, I didn't quite believe the depth of the relationship between the two cowboys. As portrayed by Ang Lee, their sexual bonding seemed to be only a temporary romance, the infatuation of two people in the middle of the loneliness of the mountains, but for it to be such a strong and faithful relationship that is so passionate even after four years filled with marriage and children, there would have to be something more, something that is formed over months and years of living with each other and overcoming obstacles. I missed that, which is why I didn't believe their passionate kissing scene when they meet again, but please take that as a very subjective point of view. Otherwise it will be all praise, because what Ledger and Gyllenhaal do can't be called anything else than an ode to acting, and it’s mainly because of them, the beautiful cinematography and the unobtrusive, but impressive musical score, that this film is worth seeing. But don't expect a whirlwind of emotions, they come out rather subtly throughout the film.
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Ang Lee doesn't lead the viewer by the hand, and that's intentional. The director is fantastic and Brokeback Mountain is the biggest hit of the year and it absolutely deserves all those nominations. It’s a simple and unpretentious story packed with emotions. The acting is fantastic, there's no point in dissecting it in detail, both Heath Ledger and Jake Gyllenhaal deliver the best performances of their careers. Excellent, incredibly powerful dialogues. A film about a very unconventional love relationship. Without a doubt, the best film of this year.
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A much more demanding film than it may seem at first glance. Ang Lee approaches a sensitive subject completely differently than I expected, without overflowing with emotions, and the viewer interprets everything solely through glances and sparingly tight actions. But when it comes to confession, it is powerful. I wouldn't indulge in total superlatives, given the excessively wide shots, but it captivates with its atmosphere and the performances of Heath Ledger and Anne Hathaway, drawing the audience's attention to the main couple and holding their breath exactly in those moments when I feel that hearts are breaking.
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Dragged-out like nothing else on earth. Among the plus points we have Lee’s directing in isolated scenes, the acting performances and the believable relations between characters... But everything gets overshadowed by dog-weariness so great, that it doesn’t allow you to immerse yourself in to the movie (or penetrate in this case?). I personally would have appreciated it if Gyllenhaal and Ledger had swapped their roles, because the latter doesn’t fit the silent type at all, even though he does a good job of it.
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I know who would want to watch a movie about two cowboys who have a fling one time out of boredom - yes, both of them are men - and their love lasts until the end, but it really is worth it. This is a story about cowboys, it is a story about love, but also about unfulfilled love. As time changes, so do the protagonists. It shows in their appearance, but also in the fact that their personalities, dreams, and lives change. It may not appeal to everyone. The viewer is already full of prejudices when they find out what the film is actually about. If they are not open to the idea that two guys can simply fall in love, they probably won't enjoy the film at all, maybe they won't even finish watching it. If you want to test how homophobic you are, watch it until the end and see what you feel. Satisfaction or sadness. Based on that, you can finally decide what your stance is on this issue. More: http://www.filmovy-denik.cz/2012/05/kung-fu-dewey-cox-zkrocena-hora-12-opic.html
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