Sin City

What a great experience! Captivating comic-book stylisation, great characters and a very entertaining story. With someone dying almost every minute, there’s a constant parade of new characters, but it doesn’t come with the problems associated with the need of introducing someone new all the time, it comes at neck-breaking speed. I don’t know why I postponed watching this film for so long. 9/10 (06/07/2009)

When a devoted director decides to adapt my most beloved comic book, frame by frame, with such an array of talented actors, it can only result in the highest rating. Bruce Willis and Clive Owen were simply born for Hartigan and Dwight. (04/16/2006)

Likely the most faithful comic book adaptation in a live-action film. Zack Snyder tried hard with Watchmen, but it just didn't work there. Nor did it in this case. Frank Miller drew the comic cinematically, and Robert Rodriguez understood that, bringing each frame to life, giving faces of well-known actors to the characters, and creating a contemporary noir. Or maybe even the future. Beautifully stylized, beautifully gritty, and incredibly entertaining. Yes, I have a soft spot for Rodriguez just like I do for Tarantino, and his action-packed B-movies are simply captivating. We’ll do this again sometime. (01/23/2014)

It’s hard to rate a movie consisting of several chapters, so I’ll have a stab at good old average. The Hard Goodbye: The first and, at the same time the best chapter tells a tale of revenge. Marv (the excellent Mickey Rourke) wakes up one morning only to find out that the woman he loved like nothing else on earth was murdered right next to him while he slept. So he goes in search of the murderer and his path is paved with a sea of bodies. This amazingly gloomy and all-round pretty dark story scores points on all fronts. The best, well.. “positive" protagonist (Marv), the best negative character (Kevin), best chapter and mainly the most fun. *****. The Big Fat Kill: Now follows the weakest chapter. It’s still pretty decent, but not as entertaining like the first two. It has a pathetic villain and Clive Owen is rather lackluster. And the only really excellent scene is the work of Tarantino (the dialog in the car). *** That Yellow Bastard: The second best chapter. Despite being such a “grandpa", Bruce Willis is still amazingly awesome, just like he used to be and the villain is good and slippery, disgusting and yellow. The only thing that is a little shaky is the romantic subplot, where Jessica Alba does more harm than good for the story. She is a sight to behold, no discussion, but the movie should leave it at that. Nevertheless, very strong ****. Rodriguez transferred the entire comic book to the movie almost frame by frame, occasionally succeeding, occasionally not. Let`s hope that he will hone this into perfection for part two. (09/15/2006)

Sin City is a phenomenon. As a whole, it's perhaps a bit inconsistently segmented, so that the individual episodes don't really support or complement the development of the rest, but I still can't get most of the segments out of my head and I'm always happy to watch it again – Rodriguez has stylized the film in a fiercely sexy way, inoculated it with juicy comic violence, and pumped it up with a plethora of great actors who absolutely nail their already interesting roles (Rourke, Willis, and Owen in descending order are the best). The atmosphere works, and Sin City is such a dirty, bleak and unpredictable place that I could have stayed in it a bit longer. Emotions aside, this is a pure visual experience... 80% (08/05/2018)