Directed by:
Louis LeterrierScreenplay:
Zak PennCinematography:
Peter Menzies Jr.Composer:
Craig ArmstrongCast:
Edward Norton, Liv Tyler, Tim Roth, William Hurt, Tim Blake Nelson, Ty Burrell, Christina Cabot, Peter Mensah, Lou Ferrigno, Greg Bryk, Martin Starr, Chris Ratz (more)Plots(1)
In this new beginning, scientist Bruce Banner (Edward Norton) desperately hunts for a cure to the gamma radiation that poisoned his cells and unleashes the unbridled force of rage within him: The Hulk. Living in the shadows - cut off from a life he knew and the woman he loves, Betty Ross (Liv Tyler) - Banner struggles to avoid the obsessive pursuit of his nemesis, General Thunderbolt Ross (William Hurt), and the military machinery that seeks to capture him and brutally exploit his power. (Universal Pictures US)
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Reviews (12)
I wasn't thrilled that the first Hulk’s original footsteps were abandoned, but it didn't turn out as badly as I expected. In fact, it turned out unexpectedly well. Although the mystery, cleverness, and fatefulness that Ang Lee delivered a few years ago are gone, we're getting a pure-bred action comic book movie, which, for The Hulk, is probably for the first time. I really enjoyed the unchanged Banner's chase scene with the soldiers on the Favela roofs, and I was glad that Leterrier approached it with the same care as, say, the fight between Blonsky and Mr. Green. Edward Norton was great as usual, and Roth and Hurt make worthy opponents. Only Liv Tyler sometimes seemed “weird". I also have to praise highly the music of Craig Armstrong, who was really playful with the soundtrack. Plus, for fans, we also have references to the Avengers and a visit from Robert Downey Jr. I had more fun than I’ve had in a long time.
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A unique cast versus primitively crafted characters at the level of 2D PC games. Blockbuster ambitions versus B-movie clichés. Straight-faced tacky stylization and fetishized straightforward and self-serving militaristic action. Simply put, The Incredible Hulk is a “completely new level of weird”, or an entertaining guilty pleasure worthy of the Golden Raspberry Award for the worst movie of the year.
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Compared to Lee's Hulk, this one is filmed without a shred of an idea. The story unfolds in the style of "action - boredom - more action - boredom - a bit of suspense before the ending - boredom - final overstuffed mega-action". Of all the characters, I liked the villain Blonsky the most (I can take Tim Roth anywhere, anytime, especially when he plays a madman), and that probably wasn't the intention either. Letterier wants to impress mainly with the digital effects, but they are not very good, and at the end he piles so many on top of each other that it's unbearable, the unsympathetic Edward Norton has one facial expression throughout the film and Liv Tyler has two. But above all, it is sorely lacking in perspective! Everything is presented with such awkward seriousness... It was simply terrible.
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From an antique tragedy interspersed with Marvel action, we've dropped a few steps down. And remained standing in a contradictory mezzanine. Five years after Ang Lee's vision, which was received rather hesitantly, it is no wonder that we were supposed to forget about it from the very beginning. For my part, I could see that version a hundred times, but I give up because I know I am in the clear minority. And yet Louis Leterrier is so excited about the previously overlooked Hulk-smash that he doesn't care much about character depth or traumatic inserts, and the Brazilian intro annoys even him. As for the central characters and their performers, I have to frown a bit as well, because Betty is nothing more than a lovely catalyst for Banner's emotions this time, and Edward Norton's portrayal of the titular hero is occasionally disappointingly shallow. So why the high rating in the end? Because every action scene is an explosive, impressive spectacle that takes your breath away, and Blonsky a.k.a. Abomination boldly joins the gallery of marvel villains waiting to be cursed in the future, for whom I regularly have a weakness. The decisive factor for the fourth star is that this version of Hulk works solely and exclusively as bait for The Avengers. It's true that Iron Man, Thor, and Captain America are a class or two better, leaving Bruce as a small green orphan child, but from a rather unimpressive superhero side gig he ultimately matured into a pleasant one-off treat.
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I still don’ t understand why there made an incomprehensible remake of a fairly new movie when it was already clear in advance that it would turn out more or less the same. Hulk doesn't have a good story and doesn't have that potential, he’s too serious and dramatic for a comic book hero. Technically, it's the same as with the previous film: impressive overall, but unfinished in the details. Tim Roth adds the necessary spice to it, Liv Tyler is an ornament (classic), and Edward Norton with his worried face also doesn't interest much. At least the opening credits made a proper “upgrade” and, with it’s solid orchestral accompaniment, it is one of the few captivating things you will see in the movie.
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