Directed by:
Doug LimanCinematography:
Oliver WoodComposer:
John PowellCast:
Matt Damon, Franka Potente, Chris Cooper, Clive Owen, Brian Cox, Adewale Akinnuoye-Agbaje, Gabriel Mann, Walton Goggins, Josh Hamilton, Julia Stiles (more)VOD (4)
Plots(1)
The spy thriller opens as an amnesiac is rescued at sea by the crew of an Italian fishing boat. Nearly dead, he carries nothing but the bullets in his back and the bank account number embedded in his hip. Although completely without identity or background, he possesses an array of extraordinary talents in fighting, linguistics and self-defense that speak of a dangerous past. In the present he is disoriented and wary as he is propelled into an urgent search to discover who he is and why his life has taken a perilous turn. A Zurich safe deposit box yields an assortment of passports, a hefty load of cash, an automatic weapon and a name--Jason Bourne--with a Paris address. What it means remains a mystery, but Bourne quickly realizes that although he knows no one, there are people who recognize him--and do not wish him well. When he meets Marie Kreutz, a hard-luck German-born wanderer, he makes a desperate pitch--$10,000 for a ride to Paris. Despite her reservations, Marie takes the cash and begins a journey with Bourne that changes her life forever. The trail of Jason Bourne's past snakes from Europe to CIA headquarters in Langley, Virginia, where Treadstone, a clandestine operation is based. As Bourne and Marie struggle to stay below the radar in France, all of the stealthy muscle of Treadstone is focused on tracking them and neutralizing Bourne as quickly and efficiently as possible. (official distributor synopsis)
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Reviews (14)
I've been waiting long enough, and I got even more. Specifically, a perfectly intimate action drive, which has no equal in its genre. And even though the viewer knows well where the plot is heading, they gladly follow the path of agents, bosses, assassinations, and betrayals. The secret of the main character works superbly. And despite all the admiration, I have to admit that at that time, I didn't even hope that Jason could become the most impressive killer of the 2000s and that the adaptations of Ludlum's books would become almost artistically popular affairs loved by both perfectionists and ordinary viewers.
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An agent without a past... and without balls. Matt Damon is fine, and I'm not saying I don't like this concept of a "man of the people," who turns into a killing machine in a crisis, and the master of an ingenious escape strategy. But I enjoyed the character of Jason during action scenes rather than outside them, where he lacks charisma and is not all that convincing. Doug Liman has spawned a couple of very solid action scenes that are great. Then there are a few passages where the film tries to look cool and like a spy film, and it somehow just doesn't work. But despite all the shallowness and Damon's wooden acting, the civilian level of the "agent without a past" is truly fine, and certainly not without influence regarding the future of Agent 007. I didn't quite understand the magic tricks with the alternative ending, which the creators were planning after 9/11. It's so stupidly correct that I'm honestly glad it didn't make it into the serious version of the film. After all, even the statement of one of the creators that after 9/11, it looked like there would be no more explosions in films is sufficiently telling. Times change, while Agent Bourne and explosions remain. After the first part of the trilogy, I would say: it's pretty good.
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A traditionally straightforward espionage ride in which director Doug Liman delivers several top-notch action sequences according to modern audience demands. However, the film also relies on a captivating plot that, compared to the original book, may come up short, but in the case of this film, I'm willing to tolerate it because of the brisk pace, which briefly eases in the second third but then picks up full speed again in the end and manages to engulf the viewer throughout the full two-hour runtime. The careful work with the camera, which perfectly captures the action scenes, and the use of a cold color filter that complements the slowly snowing Paris, along with the excellent musical accompaniment by John Powell, are just a few of the film's strengths. Not to mention the precise performances by the cast, where although a young Matt Damon might raise some eyebrows, his minimalist expressions suit the role perfectly. One minor criticism could be directed at the occasional "late" editing, which reveals the stuntmen "catching" falls. However, even after seeing the film more than ten times, it's impossible not to give The Bourne Identity a perfect review with a smile on my face.
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In general terms it’s totally fine. It's got plenty of action, drama, and ambition. But what bothers me here is the rather unappealing atmosphere. It's like a mock-up or a set-up for something big that's not so big after all. I don't think Matt Damon was fully baked at that point. The same old pace can get boring after a while. 3.5 stars.
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Matt Damon, with his boyish appearance, doesn't fit into the super agent type, at first glance he looks like an ordinary dude, but when he reveals his fighting skills, you can see what a mistake that impression is. It makes you root for him all the more and relate to him. A superb thriller that does without exploding cars and piled-up corpses. The hand-to-hand fight in Bourne's apartment is one of the best I've seen so far. And not to mention John Powell's great soundtrack would be an unforgivable sin. PS: After a repeat viewing I am forced to throw in the fifth star, this likeable "action flick" has everything such a film requires. And to top it off with a polished script, with some interesting original moments.
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