Directed by:
Alex ProyasCinematography:
Dariusz WolskiComposer:
Trevor JonesCast:
Rufus Sewell, William Hurt, Kiefer Sutherland, Jennifer Connelly, Richard O'Brien, Ian Richardson, Bruce Spence, Colin Friels, John Bluthal, Melissa George (more)VOD (2)
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When John Murdoch (Rufus Sewell) wakes with no memory at the scene of a grisly murder, he soon finds himself hunted by the police, a woman claiming to be his wife and a mysterious group of pale men who seem to control everything and everyone in the city. (official distributor synopsis)
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Reviews (9)
The dark setting and black backgrounds create an original and depressing atmosphere. Alex Proyas literally revels in this, and it must be acknowledged that this is his style and he is a good director. Rufus Sewell is in an unusual role here, one of his few in B-movies. The film has a very peculiar atmosphere and top-level visual effects, and it does not lack originality and inventiveness, but the ending is not as intellectually or emotionally strong as I would have imagined based on the unfolding of the story.
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If the Dark City was not consciously pointing out the proper noir atmosphere right from the beginning, I would almost say that the main character could have found the way to the beach on the Internet. While for us, travelling anywhere is nowadays a simple process, when with two clicks we can see not just the journey from the map’s position, but also the journey from the car driver’s position, in this film it formed the basis of the story. The film changed from noir crime film into a complete sci-fi in a split second. I thought that it is nice that in the nineties the American directors had balls to shoot similar movies. Nowadays, nobody would pay for it unless it had the stamp of Marvel or a remake.
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Alex Proyas revels in the dark. He literally loves it. And he wants the viewer to love it too. This is not only the case with Dark City, but also with his other films. If there's a dawn breaking, it's more metaphorically, through enlightenment, change. This precursor to The Matrix offers another answer to what visions are presented to us and what a person can achieve.
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And they say lightning doesn’t strike twice. If Proyas's The Crow was dark, depressing, interestingly stylized, and narratively "unusual", all this is doubly true for Dark City, a very bleak and unpleasant vision of a world dominated by bald aliens who are allergic to light, can bend physics to their advantage and have a motive that, even after much thought, doesn't seem illogical or nonsensical. Of course, we've seen the single hero destined to carry out a revolution and defeat an invincible foe a few times before, but when everything around is so tastefully polished, thoughtful and novel, a little cliché can never hurt. And Jones’s soundtrack is perfect for the genre :)) 85%
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Dark, dark and just dark again… Alex Proyas is amazing and his direction is very thought provoking, he bombards the viewer from the beginning to the very end with one dark shot after another, and I was so deeply depressed while watching that I almost managed to fall asleep. Dark City is visually impressive and very depressing; the last time I experienced similar feelings was during Blade Runner, except that here I was a little bored. At first, the story failed to engage me, but from the second half onwards, the plot builds up nicely and culminates in a successful duel (the way they hang in the air against each other reminded me of the final fight in The Matrix Revolutions). The ending itself is powerful and has a very cathartic effect.
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