Directed by:
Steven SpielbergScreenplay:
David KoeppCinematography:
Janusz KaminskiComposer:
John WilliamsCast:
Tom Cruise, Dakota Fanning, Miranda Otto, Justin Chatwin, Tim Robbins, Rick Gonzalez, Yul Vazquez, Lisa Ann Walter, Ann Robinson, Gene Barry, Peter Gerety (more)VOD (4)
Plots(1)
The extraordinary battle for the future of humankind through the eyes of one American family fighting to survive it. Ray Ferrier is a divorced dockworker and less-than-perfect father. Soon after his ex-wife and her new husband drop of his teenage son Robbie and young daughter Rachel for a rare weekend visit, a strange and powerful lightning storm touches down. (official distributor synopsis)
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Reviews (10)
Nope. Upon watching this a second time, it definitely wasn't the same, and there are plenty of things that typically bother me about Spielberg - the melodrama, which is sometimes unnecessary, the excessive pathos, and scenes that are stretched out without affecting me. In fact, I didn't even feel the tension anymore. It almost seems like I want to start a "I Hate Spielberg" club, but this film still belongs to those that I can tolerate from him.
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Mediocre in almost all respects. Except from a few individual scenes (the plane, the port, the train) and nice sound, this is nothing but a random onslaught of scenes, mundane actors, uninspiring music and a pleasantly “well-worn" look. If you’re looking for an intelligent, different slant on alien invasion, Signs is a better choice. This certainly isn’t bad or boring - Spielberg is too good and experienced a filmmaker to allow that, but I can’t help thinking that here we get his routine work and nothing more. Unfortunately he found support neither in the actors or in the screenplay. ♫ OST score: 3/5
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The more logic he gets on his side, the more surprisingly Steven Spielberg is able to win in completely different fields with suspense and unexpectedly perfectionist action. With Tom Cruise as the traditionally determined main hero, he couldn't possibly go wrong.
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My final impression is not bad at all. Spielberg is too good of a director to make a forgettable film. He incorporated something into his film that was missing in his previous works - tension and darkness. The tranquility and childlike playfulness of E.T. were forgotten, and Spielberg made his War of the Worlds as a monumental disaster film, which is additionally likable because it is shot from the perspective of an ordinary outsider who is not trying to save the world, but simply trying to survive quite normally. Sometimes even at the expense of others. Several scenes are shot breathtakingly. Spielberg is very good at depicting the destruction of the city, the sinking of the ship, and apocalyptic scenes of fleeing crowds, and he uses all those aspects here. The basement scene with the mirror is even in my top ten and with its sophistication, it ranks among the highlights of the genre. Cruise is good, but he is outdone by the excellent Dakota Fanning as a current top child star. Tim Robbins also played his mentally disturbed man with ease, and the other actors are not important for anything else but future corpses. What deprived the film of a fifth star and a place among the best films is the unfortunate happy ending, which may be taken from the book, but does not suit the overall tone of the film. At the same time, the length of the film is also a problem, which in this case could have been 20 minutes longer because, after a very good start, the ending feels somewhat deprived. Visually, it is a remarkable film, characterized by the gloomy red of the alien organisms and the unsettling sounds of alien machines creating a suitably chilling atmosphere for most of the film. Overall impression: 80%.
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Though intimately conceived, War of the Worlds is an emotionally cold and, in terms of plot, concise summer blockbuster. Fortunately, however, it has such a large helping of horror excitement that it’s a joy to watch. The movie is a technically brilliant gem that made my heart pound and caused me to check the sky in paranoia as I was leaving the cinema. That’s what it was all about for the film’s creators – simply take us through a series of scenes, half of which are begging for deeper development in the screenwriting, but their visual and sound aspects (Spielberg’s directing + Kaminski’s documentary-style cinematography = gold), paralyze us with fear and nail us to our seats. If there had been more likable characters and an opportunity to really get to know them, this could have been the movie of the year. As it stands, the “only” thing that remains is tremendous amazement from the individual parts. Some of the film’s scenes will be quoted and imitated.
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