Directed by:
Michael CurtizCinematography:
Arthur EdesonComposer:
Max SteinerCast:
Humphrey Bogart, Ingrid Bergman, Paul Henreid, Claude Rains, Conrad Veidt, Sydney Greenstreet, Peter Lorre, Dooley Wilson, Joy Page, John Qualen (more)VOD (5)
Plots(1)
Casablanca: easy to enter, but much harder to leave, especially if you're wanted by the Nazis. Such a man is Resistance leader Victor Laszlo (Paul Henreid), whose only hope is Rick Blaine (Humphrey Bogart), a cynical American who sticks his neck out for no one, especially Victor's wife Ilsa (Ingrid Bergman), the ex-lover who broke his heart. Ilsa offers herself in exchange for Laszlo's transport out of the country and bitter Rick must decide what counts more - personal happiness or countless lives hanging in the balance. (official distributor synopsis)
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Reviews (9)
As time goes by... Once upon a time the most beautiful femme fatale and the most charismatic cynic collided and events occurred that changed not only the world around them, but also the world within them. And when it was revealed how fatefully small the whole world can be, the consequences were no less serious. I want to experience my own Casablanca and I want to become part of such a timeless duo. Even though I will never be Humphrey Bogart and I will never be able to show such fundamental courage and humanity. So feel free to curse clichés however you like. Because they all have their origin, and it's right here. In the city of Casablanca, where refugees from all corners of the world are fleeing during World War II...
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The naive political background and lack of chemistry between the central duo bothered me. Although I really like Bergman, she isn’t convincing at all here and it is probably impossible to believe that Rick and Elsa were ever bonded by fateful, undying love. In my opinion Bogart always belonged, belongs and will belong to Bacall or Grahame. This is a quality picture, but one of the more standard Bogart movies.
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I enjoy remembering certain films, and Casablanca is one of them. The eternal story of a love that could not be fulfilled. On the other hand, this is a fantastic conversational drama with absolutely impeccably crafted characters, so stylized that they simply must captivate you. Bogart, Bergman, Rains, Lorre, and Veidt - those are the names that create tremendous quality in one film. Simply something that every film fan should see.
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After watching the movie I had a persistent feeling that I checked off one of the classics, but it left no mark on my soul. It left nothing in me at all. And I don’t getwhy a Czech nationalist would appreciate one of the characters who has a Czech passport, but also a hell of a Hungarian name. But mostly, I appreciate the fact that during the war local bohemians managed to film such a distinct spy movie which they immediately combined with romance and love so that the Gestapo wouldn’t look for some secret meaning. However, not counting the awesomeness of the movie, I feel a great deal of naivety typical for the time period. The naivety which characterizes this cinematography is, truthfully, alien to me.
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Few films have been called "legendary" as much as Casablanca. Who cares that it's lemonade full of pathos, that Humphrey Bogart's harshness may be teetering on the brink of bearable, that the year of its creation may make it seem naive... What I have always seen in Casablanca, what I see and hope to see in the next few years, is above all a strong story that dares to put ordinary friendship on the same level as love (or is it even higher?), which won me over, plain and simple.
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