Directed by:
Gore VerbinskiCinematography:
Dariusz WolskiComposer:
Hans ZimmerCast:
Johnny Depp, Orlando Bloom, Keira Knightley, Stellan Skarsgård, Bill Nighy, Jack Davenport, Kevin McNally, Jonathan Pryce, Lee Arenberg, Mackenzie Crook (more)VOD (3)
Plots(1)
Charming rogue pirate Captain Jack Sparrow (Johnny Depp) is back for a grand, swashbuckling, nonstop joyride filled with devilish pirate humor, monstrous sea creatures, and breathtaking black magic. Now Jack's got a blood debt to pay -- he owes his soul to the legendary Davy Jones, ghostly Ruler of the Ocean Depths . . . but ever-crafty Jack isn't about to go down without a fight. Along the way, dashing Will Turner (Orlando Bloom) and the beautiful Elizabeth Swann (Keira Knightley) get caught up in the thrilling whirlpool of misadventures stirred up in Jack's quest to avoid eternal damnation by seizing the fabled Dead Man's Chest! (official distributor synopsis)
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Reviews (13)
The most treacherous part of the trilogy, and not just in terms of the behavior of the characters. Perhaps it would be appropriate to say that the second part deserved to be cut and combined with the third into one movie, but that probably wouldn't have worked anyway. Even I have caught myself wanting to watch Pirates all the time, and while that doesn't mean that Dead Man's Chest is flawless. It is really overloaded, some plotlines are pointless (the cannibals), some desperately unremarkable, but who cares when it's such fun. The endlessly mentioned fight on the mill wheel and everything around it, together with the final performance by the Kraken, is a true adrenaline delight.
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I understand the huge earnings, because it is precisely the kind of clearly outlined and technically perfectly arranged eye-candy entertainment tailor-made to a mainstream audience that wouldn’t go to the cinema without a large Coke and several tons of crunchy popcorn. However, with a cold feeling in my soul, I can say that the first installment is better, practically in every possible aspect. The sequel has one crucial problem: clutter; everything here is excessive. An unnecessarily overwrought story (especially the last approximately 45 minutes), too many jokes – and some situations are not explicitly comical – too many alternating locations, and too many visual effects, which are, of course, fantastic by themselves, but that is more or less an unwritten obligation in projects of this caliber. The characters are depicted the same way as in the first installment. Johnny Depp is excellent again, and this time Orlando Bloom is also good. The Kraken is a cool monster, and the make-up effects of the main villain are so captivating that it is hard to believe. There are several truly unforgettable scenes (the natives, Jack Sparrow pole jumping, the fight on the giant wheel, etc.), but unfortunately, the whole thing feels somewhat inconsistent, cynical, and above all, quite boring. Once is enough.
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Pirates of the Caribbean unexpectedly became the most successful pirate film in the last 25 years, after the genre was perfectly discredited by romantic B-movie crap by second-rate directors. Pirates of the Caribbean was filmed with ease, humor, and originality, without much interference from the producers, so the crew had freedom, and, for example, Johnny Depp could afford to have his peculiar acting, portraying the pirate captain as a hippie who just smoked a joint. However, in the sequels, it is visible how much the studio had expected from the film, and this desire to fulfill obligations had an unfavorable impact on this film. Despite the high budget, the same cast, and ubiquitous effort, it is more cumbersome and over-embellished, and in the end, it doesn't hold together. Especially when, unlike its predecessor, it doesn't have a story with a point and not only leaves room for further sequels but rather feels like an episode from a series that ends with an invitation for the next installment through a cut in a suspenseful scene. Some scenes, such as the duel in the ruins of an old mill and the subsequent swordfight between the blades of a broken mill wheel, however, are highlights that adorn any top-notch blockbuster. Overall impression: 60%.
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It's not Davy Jones and the Flying Dutchman who cursed Captain Jack, it's the fat Disney purse from which Pirates of the Caribbean: Dead Man's Chest draws from the most. The result is a classic middle film, which does not have a properly designated beginning and end, which means that it feels rather cheerfully chaotic. The characters essentially do what they always do, they bounce here and there, there is constant tomfoolery, they entertain the spectators, they bring a new villain to the party, and when one feels in their bones that something memorable should finally start, Hans Zimmer blows the unforgettable pirate fanfare and sails to the port called "Part Number Three". The cheerful pile of Dead Man's Chest stories thus remains half open, half closed. It is certainly positive that, within the abilities of the screenwriter and the director, the characters develop, they profile themselves, that old animosities and friendships are not repeated, and that new friction and tension arise. Undoubtedly, the film has great effects, and Zimmer's music is also excellent. Those who are more sensitive will be provoked by the aforementioned lack of borders and playing for effect. But this spectacle is mainly about the effects, so why cry? Maybe because the film lacks gradation and brisk acceleration at certain moments. The fact that certain dialogues drag on like the Kraken's slime. That Johnny Depp uses his built-in grimace repertoire and his Jack is no longer the amazing centerpiece. That not all choreographies are as busy as the one on the mill wheel. The second film also caught the wind in its sails and took a gulp of good rum. Maybe the film got a little more serious and perhaps lost a bit of the mischief from the first film. And the film undoubtedly suffers from the syndrome of the middle part of the trilogy. [7/10]
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A ride in which you alternately switch from a Trabant to a racing car. However, this unbalanced mix of lengthy workarounds, overstuffed plot and diabolical action is still worth seeing, if only because of the amazing Billy "Davy Jones" Nighy, who proves that even with just the eyes and suggestive voice modulation you can perform miracles.
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