Directed by:
Kevin SmithScreenplay:
Kevin SmithCinematography:
David KleinComposer:
James L. VenableCast:
Brian O'Halloran, Jeff Anderson, Rosario Dawson, Trevor Fehrman, Jason Mewes, Kevin Smith, Jennifer Schwalbach Smith, Jason Lee, Ben Affleck, Ethan Suplee (more)VOD (2)
Plots(1)
Ten years ago best friends Dante Hicks and Randal Graves were New Jersey mini-mall clerks still slacking off together in their early 20s. Now working in the fast-food universe, Dante and Randal have managed to maintain, and even hone, their in-your-face attitudes, agile skill with vulgarities and unbridled love of screwing the customers. But they're also faced with such shocking prospects as marriage, leaving Jersey and finding real careers. Dante and Randal invade the world of Mooby's fast food restaurant, where the slogan is "I'm Eating It." Behind the counter, where the only other employees are an uber-nerd and an entirely too sexy manager, Dante and Randal are free to offend anybody and everybody who so much as orders fries in their inimitably irreverent way. But, even as riotous debates rage between them over such burning matters as George Lucas v. Peter Jackson v. Jesus, change is on the horizon. When Dante announces that he's going to leave Jersey forever and marry Emma Bunting, Randal plots a going-away party so shocking it will draw the police, the fire department and potential protests from PETA, while altering their lives forever. (official distributor synopsis)
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Reviews (9)
Much, much funnier than the first part. Some scenes are brilliant, while others fizzle out, but as whole Clerks II deserves a four star rating, a nice improvement from last time. The best comedy moment is hands down the Donkey Show, which is followed by what for my taste is an overly long and amicable ending. What’s certainly good is that Smith’s humour has matured since the first Clerks, and also got sharper, which made me laugh about things that otherwise I wouldn’t even smile at. 85%
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Smith returns to his New Jersey gang of slackers after a break of twelve years, and we can only be grateful, as the characters of Randell and Dante still have a lot to say after all this time. The new characters are as memorable as the ones already familiar to us. Rosaria Dawson is a convincing actor and the Catholic, Elias, will definitely get to you. Like most of Kevin's films, it's based primarily on brilliantly polished dialogs – both serious and pop cultural. In addition to the beautifully captured melancholy, above all they give us brilliant humor. I laughed at most of the scenes long after they ended (if this movie doesn't convince you that Bay's feature-length Transformers has a philosophical message of the highest quality, I don't know what will). Last but not least, the iconic Jay and Silent Bob duo returns to the screen in top form. I sincerely hope that we will meet this bunch again in another decade’s time...
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In the case of Clerks 2, the return to roots is not just an empty concept, because this is not another Mallrats or Jay and Silent Bob Strike Back. Maybe that's why I had a problem with the lower cadence of the jokes at the beginning, but once I tuned into the pace of the film, which, like the first, features completely serious dialogue alongside the brilliant jokes, Kevin Smith had me right where he wanted. In short, the return to Jersey was a success. Jay and Bob are at it again, Randall is talking like hell, and Dante has put on some weight. It's funny, it's clever, it's touching and it's exactly what Smith fans have been waiting for. And if this bunch returns in a few years, I'll definitely be there again.
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For me, this overhyped comedy and Kevin Smith don't really click. There are a few decent lines (the discussion of Lord of the Rings vs Star Wars was cool), but otherwise it just flows without much surprise or interest. There's no downright burst of laughter and the story didn't seem very interesting to me either. Maybe ten years ago, it could've earned four stars, but definitely not today. 6/10.
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I just love this movie. Perhaps even more so than the first, which was a breakthrough for Smith. There are great dialogues here, there are perverse situations, and there are excellent characters, especially Becky with Rosario Dawson's face, which is a brilliant move. It's easy to fall in love with this girl. I can't take my eyes off this movie every time I watch it.
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