Directed by:
Sam MendesScreenplay:
William Broyles Jr.Cinematography:
Roger DeakinsComposer:
Thomas NewmanCast:
Jake Gyllenhaal, Jamie Foxx, Peter Sarsgaard, Chris Cooper, Dennis Haysbert, Kevin Foster, Lucas Black, Laz Alonso, Rini Bell, James Morrison, John Krasinski (more)VOD (3)
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Jarhead (the self-imposed moniker of the Marines) follows Swoff (Gyllenhaal) from a sobering stint in boot camp to active duty, where he sports a sniper rifle through Middle East deserts that provide no cover from the heat or Iraqi soldiers. Swoff and his fellow Marines sustain themselves with sardonic humanity and wicked comedy on blazing desert fields in a country they don't understand against an enemy they can't see for a cause they don't fully grasp. (official distributor synopsis)
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Reviews (14)
Serious perspectives of war as hell on earth abound throughout cinema. It's a bit harder to find lighter funny satires. Yet is it worthwhile to look at war without a drop of sentimentality and still maintain a sarcastic tone about how "war is an asshole" even when it's boring? Sam Mendes has undergone a genre metamorphosis and instead of family crises, he observes the negative effects of combat conflict on individuals without firing a single shot. Right from the introduction to when they are at the military staging area, which in a way paraphrases Kubrick's Full Metal Jacket, through the uncompromising pouring of ideology into the brains of the soldiers, when it is necessary to declare to the public forever how important it is to fight for one's country, to the (non)encounter with the enemy itself. In this case they are not the Iraqi troops, but rather one's own frustration from unreasonable boredom and endless waiting. When Swofford thinks of his girlfriend, the viewer is tempted to go and pat him sympathetically on the back; when he cleans latrines as punishment, we prefer to turn away. And when the sky turns black and oil rain starts falling from the sky, everyone has to realize that things can't get any worse. Then memories of encounters with a lone horse or a column of Humvees wandering through the desert come to mind and we want to praise cameraman Roger Deakins. Finally, any Foxx - Gyllenhaal debate tells us that the current generation of actors has its aces. And I'm beginning to think that going to war wasn't the happiest decision I’ve ever made.
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Join up! Uncle Sam wants you! You’ll have a great time with us, get to do some shooting, kill some non-American bastards, protect your country and three meals a day... Or not? Boredom in the desert or Sam Mendes’ third attempt. And again it’s something completely different from his previous movies. This time he brings us a provocative and raw insight into the life of a young marine during the Gulf War. First he undergoes training and then, keen to fight, he is posted to a war where nothing happens and the action he was dreaming about never comes, and all he does is stand on watch amongst sand dunes, waiting and waiting... And waiting. The movie is more a patchwork of individual scenes (especially the one when the soldiers are watching Apocalypse Now I can’t shake out of my head, like many other scenes too), but despite that, or maybe because of that, the movie is really powerful. And we get good elephant doses of sarcasm and satire. In technical terms it is precise (that’s right, the camerawork is almost unreal; the scene with the horse in the middle of the burning oil fields is the peak of perfection), as is the soundtrack. Every one of the actors is great, as they tend to be in Mendes’ movies. Mendes’ directing is again flawless, inventive and seething with ideas. And Jake “Donnie Darko" Gyllenhaal is a chapter in himself, proving again that he is one of the biggest talents of contemporary transatlantic cinema. This picture of boredom in the middle of a modern military conflict and the impact it leaves on its protagonists is even more interesting and chilling because the movie manages to impart this feeling to the viewer too.
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At the beginning heavy-duty boredom that you’ve seen a hundred times in a hundred movies. But later Mendes starts to show us different, more interesting things. Gyllenhaal’s dream-like visions when he pukes up sand, burning oil wells (definite climax of the movie) and soldiers who would do anything to be able to shoot at a live target. Jarhead really is an extraordinary film. It shows the US Army in a different, and maybe finally perhaps a true light. By the way Newman’s soundtrack is just outstanding.
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A very weak, uninteresting, tedious, visually repulsive non-action war drama with my favourites Jake Gyllenhaal and Jamie Foxx. I was entertained for barely half an hour with the fine training of the marines, after which I yawned and fumbled my way through to the end and happily deleted the film from the disc. I probably missed the American pathos here. Lone Survivor and American Sniper are so much better. 40%.
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An unconventional war/anti-war film, not unlike Platoon, but unfortunately quite difficult for the average viewer, and I admit, even for me. Total boredom in the desert is not completely boring on the screen, but I couldn't fully immerse myself in the rising traumas of the soldiers. And a war film without gunfire simply isn't suspenseful.
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