The Crimson Rivers
Directed by:
Mathieu KassovitzCinematography:
Thierry ArbogastComposer:
Bruno CoulaisCast:
Jean Reno, Vincent Cassel, Nadia Fares, Dominique Sanda, Karim Belkhadra, Jean-Pierre Cassel, Didier Flamand, François Levantal, Francine Bergé (more)VOD (1)
Plots(1)
Two criminal investigations. The same day, 300 km apart, two policemen are given two very particular cases. Pierre Niemans (Jean Reno) is a man of experience, who has an infallible instinct in criminal affairs but hides painful fears. He travels to Guernon, a university town in the Alps where a violent murder took place. Yougn, sharp, and loner Max Kerkerian (Vincent Cassel), a former car thief who entered the police force through a love of danger, is investigating a desecrated graveyard at Sarzac at night, and in particular the grave of a child who disappeared twenty years before. As clues bring them together, the two investigations crash head-on. And the murders grow in number. The truth will outdo all theories, taking the two policemen to high altitudes, caught between icy heights and death's door. (official distributor synopsis)
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Reviews (9)
I like how the movie works. The plot is clever and keeps you in suspense, there are shocking scenes, scenes that can really scare you. Neiman's fear of dogs is an interesting touch and makes the detective more human, with flaws. What spoils the film is a bit rushed ending, which relied too much on a twist that some viewers might say: "Really? Another resolution like that?" It may not appeal to everyone, but the film ends correctly, as well as thrillingly, as it should.
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Awesome, and I regret putting this film off for so long. Crimson Rivers is a very intelligent, chilling and suspenseful thriller led by the excellent Jean Reno and Vincent Cassel. Those who like movies where the killer is only revealed at the end will not regret it. The resemblance to David Fincher's Se7en is almost palpable, but not offensive, instead competing strongly due to the very impressive treatment of the corpses. 80%
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Kassovitz successfully conveys the dark atmosphere, and Reno and Cassel are charismatic enough to pull the whole film off just fine. But there are some moments, or rather, entire scenes that are so blatantly ripped-off of Se7en that it’s almost embarrassing. The ending is also contrived and full of clichés. It’s a pity, without that it would have been a very good thriller.
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The first installment of a loose trilogy of crime thrillers associated with Jean Reno as an investigator of brutal crimes is still a relatively decent film, though the weaknesses that sank the following two sequels are already apparent. The screenplay is underdeveloped and clearly prioritizes flashy visuals and shocking revelations over logical consistency, taking evident inspiration from successful American thrillers, notably Se7en. The attempt to emulate Fincher's directorial style is evident in several specific scenes. The result is an uneven film with an awkward ending, but it still has several audience-appealing moments and a dark, though inconsistent, atmosphere. Overall impression: 55%.
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Perfectly dark atmosphere that can only be maintained until the evidence starts to emerge. Reno and Cassel are great on their own, but the chase with the killer through the apartment really tests the nerves. However, as mystery begins to entangle, everything starts to creak, and after the snowy finale, a bitter taste remains.
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