Directed by:
Spike LeeScreenplay:
Russell GewirtzCinematography:
Matthew LibatiqueComposer:
Terence BlanchardCast:
Denzel Washington, Clive Owen, Jodie Foster, Christopher Plummer, Willem Dafoe, Chiwetel Ejiofor, Kim Director, James Ransone, Peter Gerety, Daryl Mitchell (more)VOD (3)
Plots(1)
A detective matches wits with a thief who's always one step ahead of the cops, and when a loose-cannon negotiator arrives, things spin out of control. (Netflix)
Videos (1)
Reviews (10)
A perfect way to fool the viewer, after all, it's not about the robbery. Spike Lee excels in his typical side aspects: political incorrectness and lots of smaller or larger race references in all possible forms, so no one should be surprised that the robbery, so tempting and full of ideas at first glance, is ultimately incredibly simple. This thematic mix had to have some structure. The cast is excellent – especially Denzel Washington and Christopher Plummer. In essence, there’s nothing breathtaking, but the dialogues are so fierce and current that you will gladly watch it again. This is how a multi-thematic film without a proper theme is made.
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A very pleasant surprise. At the beginning Inside Man seems like a simple bank robbery movie, but it would have to be made by someone else and not Spike Lee for this to be true. Whatever you think might happen you will be wrong and that’s the magic of the whole movie which is filled with great acting performances. Clive Owen is cool even though his face is hidden behind a mask throughout the movie and I just dig his cool, languid walk. Denzel Washington is a pleasantly down to earth policeman and Willem Dafoe doesn’t play a baddy for a change. Simply a movie full of surprises. Pleasant surprises.
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Denzel Washington's dashing detective, Clive Owen's charismatic thief and the most sophisticated bank heist ever portrayed on film. Inside Man is really hard to describe if you haven't come across the specific approach Spike Lee takes to all his films. But if you’re already familiar with his impressive precision, attention to detail, and his careful development of the main characters, you can imagine that two whole hours are not nearly enough for a story full of twists, turns, eavesdropping, political interests, and millions of dollars. The film simply has "balls", there is always something going on, there isn’t a single moment or shot that is superfluous or even meaningless in the sum total, and you can’t help but smile at the entire crew and cast for what a suspenseful and gripping thriller they have made, and in just one building. Even Sydney Lumet and his famous Dog Day Afternoon would applaud it. 95%
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After my second viewing of Inside Man, I’m raising my rating to five stars. This film is as elegant as Denzel Washington’s sleek suit in the final scenes. It is a conscious, intelligent and entertaining flick about a bank robbery that does not need to contain any violence (or thugs) to have balls, and which actually works as a criticism of violence (a parallel with the action game on a little black boy’s PSP display). The actors enjoy it all the way, Spike Lee and Brian Grazer (who kept the budget at an incredible USD 45 million) are amazing, and the final song, “Chaiyya Chaiyya Bollywood Joint”, perfectly captures the emotions of the movie.
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Overcomplicated and yet unfinished. Spike Lee's storytelling style just doesn't sit well with me. After The 25th Hour, he once again failed to capture my attention in the first half, only to deliver an almost beautiful ending. This was mainly aided by the brilliant Clive Owen, and yet despite its omniscience and supposed lightness, this piece failed in a most striking way.
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