Directed by:
Sylvester StalloneScreenplay:
Sylvester StalloneCinematography:
Clark MathisComposer:
Bill ContiCast:
Sylvester Stallone, Tony Burton, Milo Ventimiglia, Burt Young, Antonio Tarver, Talia Shire (a.f.), Geraldine Hughes, Pedro Lovell, Frank Stallone, Mike Tyson (more)VOD (4)
Plots(1)
Former heavyweight champion Rocky Balboa (Sylvester Stallone) steps out of retirement and back into the ring, pitting himself against a new rival decades after his initial glory. When a computer simulated boxing match declares Rocky Balboa the victor over current champion Mason "The Line" Dixon, the legendary fighter's passion and spirit are reignited. But when his desire to fight in small, regional competitions is trumped by promoters calling for a rematch of the cyber-fight, Balboa must weigh the mental and physical risks of a high profile exhibition match against his need to be in the ring. (official distributor synopsis)
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Reviews (10)
The last (I hope) Rocky doesn't surprise with anything, the story is again simple and straightforward, with a pinch of combat adrenaline, and life wisdoms that sound out of Harlequin books, some of which caressed the soul. Rocky's final farewell to the audience in the boxing ring (and symbolically, Sly's farewell to this character, which suddenly catapulted him to the cinematic Olympus) left me surprisingly cold, but there’s no denying that it is a worthy farewell. Mainly because there is no lack of insight, Stallone faces the advancing years head on and occasionally throws down some nice and funny lines. In short, Sly made me happy. The film is worth 3 stars, the fourth one is thrown in for nostalgia’s sake, which Sly enlivened with several functional short flashbacks. And why not admit it, I have a soft spot for this hard-working "Italian Stallion".
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Sly returned to the character of Rocky after sixteen years, thirty years after filming the first movie. Right from the beginning, it completely captivated me, and I realized how beautiful the story of Rocky and Adrian is. It's a beautiful romance, utterly ordinary, yet it shows the wonderful harmony between a man and a woman. They weren't a perfect Hollywood couple, but they were a perfect film couple. They argued, but they never stopped loving each other. This series is wonderful for that alone. With the sixth film, Sly gave it the right, beautiful, and incredibly poignant ending. The giant returned and showed that what he created had meaning. And it still does. I was incredibly moved by the sixth film. Sly has made a wonderful tribute and a full-fledged sequel at the same time. That's all there is to say about it.
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Sly did it. The end of the series about the Italian Stallion Rocky Balboa worked out as it should and as I wished. Stallone was clever about it using the only thing he had left: memories. It’s as though he's recapitulated his own life and transferred it to the character who's been with him from the beginning. The movie's success is also due to the performances, which are definitely above standard. In addition to the excellent Stallone, there is also the great Burt Young as Paulie (the only link with the past) and Milo Ventimiglia, who shows that he can stretch beyond Heroes. I'm overjoyed to return to the old days for an hour and a half, and I'm giving Rocky an extra star to say goodbye. Thanks.
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I liked the slightly grim humor and the nice old-fashioned mentoring tone that carries the film most of the time. I hope the Italian Stallion does not get mad at me, but the last match sucks. It lacked clear motivation, enthusiasm, a strong opponent and some reasonable resolution - it hangs at the end of the film just for show. Until then, Rocky's last adventure has all the attributes that made the first film famous (although they are somewhat shabby now)... it focuses more on simpler but catchy psychology and on Stallone's still functional two-sided acting. I enjoyed it, but I consider a boxing film which does not wow me with the final fight to be slightly weak.
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Rocky Balboa is a dementedly simple but pleasantly honest and modest little film about a washed-up boxer who still has something to say, and not just with his fists. The film’s prelude is a bit drawn out and, conversely, the climax is rushed, but *nostalgia* has its indisputable weight of likability, which irons out a lot of the wrinkles. Sly Stallone managed to do the same thing that his hero did – he didn’t make a great comeback, but he acquitted himself with dignity.
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