Directed by:
Antoine FuquaScreenplay:
Jonathan LemkinCinematography:
Peter Menzies Jr.Composer:
Mark MancinaCast:
Mark Wahlberg, Kate Mara, Michael Peña, Danny Glover, Mike Dopud, Lane Garrison, Elias Koteas, Rhona Mitra, Ned Beatty, Louis Ferreira, Tate Donovan (more)VOD (4)
Plots(1)
An expert sniper is coaxed out of seclusion by colleagues who need his help to stop an assassination attempt against the president. (Netflix)
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Reviews (9)
Leaving aside the fact that Wahlberg is like a Terminator in every shootout, none of the highly trained soldiers can hit him, he quickly aims in any direction, and after a few hard hits from his automatic weapon, the enemy lies on the ground, this is pretty solid action entertainment with excellently outlined sniper themes. Above all, I liked that long-range shooting is portrayed in a more realistic way, and the viewer can see that it's not just about having the biggest telescope and the longest rifle. It's a shame that, on the other hand, the script is filled with clichés and the aforementioned super Wahlberg, who, after the initial shot in the back, acts too badass and it's quite annoying.
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Bob Lee Swagger may not be the new Jason Bourne, but his great luck is that he doesn't want to be. He wants to be an old-school, uncompromising hero, and he excels at it. Mark Wahlberg is excellent as a cold-blooded machine, and his sniper performances, whether in a war setting or in the quiet snow, fascinated me with every shot with their deliberate harshness. And when he makes fun of patriotic speeches, it's settled. I'm not saying that Shooter is flawless, because the villains keep repeating lines like "Swagger is still alive," even though they don't make much of an effort to catch him, but such stumbling adds a little charm to a good action film.
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A simple and straightforward action film, where the screenwriter probably got fired in the middle of the shooting and then it was just improvisation. Fortunately, Antoine Fuqua can still do it, and Mark Wahlberg is good with these badasses, so in the end, it's an inoffensive average.
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This isn’t downright bad. After all, the beginning throws out a hook and it carries on pretty well, but ab hour later, instead of heading for an action ending, absolutely unexplainably and needlessly it starts dragging things out and out and out... In some places there’s a good moment, while occasionally there’s horrendous one (the flashback with the helicopter is pure, undiluted hell), but most of the time it keeps within the boring, stagnant, completely uninteresting waters of a mundane B-movie that is pretending to be more than is. Simply another standard offering from the routineer that Fuqua is, was and always will be.
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We’ve known that the government (mainly the American one) is a bitch for a long time and Shooter was probably supposed to prove it. It’s fine that this kind of old-school movies (Commandooo) still appear from time to time, even though they didn’t have to overdo the old school so much here (the hero living in a hut in the mountains, for god’s sake). The screenplay is unnecessarily slow-moving and full of cliché. Shortening the movie by about half an hour would have helped. Wahlberg delivers more or less what’s expected from him (an honorable tough-nut) and Kate Mara is a beauty you never tire of. But Danny Glover pleased me a lot, in this movie miles away from Rod from Lethal Weapon. He’s simply a superb, decrepit bastard. And there’s no end of dead bodies here (that’s a plus:). Fuqua should start looking around for a great screenplay, because Training Day shows that he can do better.
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Gallery (45)
Photo © Paramount Pictures
![Shooter - Covers](http://image.pmgstatic.com/cache/resized/w663/files/images/film/photos/166/322/166322280_0146da.jpg)
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