Directed by:
Edgar WrightCinematography:
Jess HallComposer:
David ArnoldCast:
Simon Pegg, Nick Frost, Bill Nighy, Paddy Considine, Joe Cornish, Timothy Dalton, Chris Waitt, Jim Broadbent, Martin Freeman, Stuart Wilson, Lucy Punch (more)VOD (3)
Plots(1)
Nicholas Angel is the finest cop London has to offer, with an arrest record 400% higher than any other officer on the force. He's so good, he makes everyone else look bad. As a result, Angel's superiors send him to a place where his talents won't be quite so embarrassing -- the sleepy and seemingly crime-free village of Sandford. Once there, he is partnered with the well-meaning but overeager police officer Danny Butterman. The son of amiable Police Chief Frank Butterman, Danny is a huge action movie fan and believes his new big-city partner might just be a real-life "bad boy," and his chance to experience the life of gunfights and car chases he so longs for. Angel is quick to dismiss this as childish fantasy and Danny's puppy-like enthusiasm only adds to Angel's growing frustration. However, as a series of grisly accidents rocks the village, Angel is convinced that Sandford is not what it seems and as the intrigue deepens, Danny's dreams of explosive, high-octane, car-chasing, gunfighting, all-out action seem more and more like a reality. It's time for these small-town cops to break out some big-city justice. (official distributor synopsis)
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Reviews (10)
A great action comedy where everything is a bit exaggerated, but at the same time, it's brilliantly constructed as both a parody and a standalone film. Simon Pegg and Nick Frost simply click, and Edgar Wright works perfectly alongside them. The collaboration between these three personalities in contemporary British cinema is the best they have accomplished so far.
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"You haven’t seen Bad Boys 2?" An action party that has everything – Tony Scott’s epileptic fits, Bay-style helicopters and all that jazz. All spiced up with great British humor and an unusual plot. A movie from the fans to the fans that is a must see for every orthodox geek.
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I didn't want to believe that Hot Fuzz was made by the same people who made the lackluster Shaun of the Dead, because I haven't seen such a sophisticated wannabe action movie in a long time... Hot Fuzz stuns with its originality, well-written characters, and amazing variability in terms of genre. If you're wondering whether you're watching a comedy mocking all action movies that take themselves too seriously or a breathtaking action film with some occasional punchlines or parody, know that Hot Fuzz has a little of each. Breathtaking directorial inventiveness, a host of great British actors, and a totally ultimate Bad Boys-style last half hour (a spoof or HOMAGE to Bay, perhaps?) make Hot Fuzz one of the most original and personalized efforts in recent memory. A clear 5 stars.
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The narrowness in adopting clichés from the other side of the ocean is often so perfect that Hot Fuzz slips to a certain self-purpose and so it balances on the edge of good taste (beyond which the similarly tuned synthetic B-movie Tarantino often falls). The film entertains when it is being British on the inside and American on the outside, but then it loses a bit in the finale, which is irresistible at first, but after a while it gets a little excessive. It's hard to justify why, despite the long runtime, great ideas and surprisingly quite engaging storyline, Hot Fuzz didn't make that much of an impression on me. Perhaps its action mimicries are so perfect that they inevitably evoke the shallow impression of a normal action movie. If there is something that I really enjoyed in addition to the atmosphere, then it is the excellent acting by Simon Pegg and Nick Frost, the perfect return of ex-Bond Timothy Dalton to shootouts, the stylish and youthfully fresh directing by Wright, and the great music of (currently working on Bond) composer David Arnold. When the best action film of 2007 is chosen, Hot Fuzz should not be forgotten... even with all the mockery, it is more fun and full of energy than most overseas productions. However, the film still lacks a higher degree of perspective in order to achieve perfection - not of the parodied genre, but of itself.
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Edgar Wright mightily kicks Michael Bay’s ass, burying all conventions and correctness under tons of unique ideas, and leaving the diabolical Simon Pegg to mow down his enemies in an even more uncompromising manner than Bruce Willis in his prime. The film is a unique demonstration that properly referenced, honored, or parodied genre fiction can royally entertain. Unfortunately, this creates an unpleasant issue on the way to the viewer's heart, which may be ordinary ignorance of film action. It’s a simple equation: the more classic films you've seen, the more fun you'll have.
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