Directed by:
Gavin HoodCinematography:
Donald McAlpineComposer:
Harry Gregson-WilliamsCast:
Hugh Jackman, Liev Schreiber, Danny Huston, Lynn Collins, Daniel Henney, Ryan Reynolds, Taylor Kitsch, will.i.am, Dominic Monaghan, Kevin Durand (more)VOD (6)
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X-Men Origins: Wolverine tells the story of Wolverine's epically violent and romantic past, his complex relationship with Victor Creed, and the ominous Weapon X program. Along the way, Wolverine encounters many mutants, both familiar and new, including surprise appearances by several legends of the X-Men universe. (20th Century Fox)
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Reviews (17)
The first half an hour of Wolverine is very promising, with its spectacular action, very nice work with mountain locations, a likable Hugh Jackman, a believable relationship with a hot girl, cool catchphrases (“I’m Canadian”) and Liev Schreiber’s badass super villain (he’ll have to fight off offers to play more villains with a stick). Wolverine starts off as a tastefully balanced mix of dynamic action and pleasant family adventure with some romance thrown in for a good measure... That’s why it’s a pity that the talented Gavin Hood must gradually submit to more and more stupid screenplay twists, which want to astonish the action-craving audience at any cost. The movie thus ends up being something between Doom and X-Men: The Last Stand. I’m neither angry nor disappointed, as this was to be expected already from the trailer. I’m just saying it’s a pity. These characters and the hard-working actors playing them deserve something more clever. Something like Bryan Singer.
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Adrenaline, excitement, fascinating action, and Hugh Jackman. Although Gavin Hood doesn't go through complicated storylines or delve into deep psychological exploration, it's beyond me how the creator of the desperately average Rendition could create such an amazing tribute to Logan. I simply rejoiced in everything, from the warrior Wolverine, to the lone Wolverine, to the expectedly raging Wolverine. Nevertheless, I acknowledge that this five-star review is probably highly personal.
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A boring mix of romance and breathtaking mountain scenery (more interesting first part) with a disjointed action adventure (boring second part) and a typically grandiose climax. As a prequel to a famous franchise, it's decent, but as a standalone action piece, it's very mishandled. Hugh Jackman has charisma, but his character is not sufficiently well-written, the action is confusing, computer-generated, and dull. The antagonists are solid, but the final over-the-top action set-piece follows a beaten path that no longer entertains me.
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Mourning for Singer went out of fashion long ago after Ratner's collapse, so why not enjoy mutants in the brisk action guise dictated by the increasingly popular 1980s model? Hood grasped the point of the subject matter on offer and presents us with a very decent piece of work that relies on the fact that if something moves, shoots, and explodes on the screen (preferably ten times in a span of a few seconds), it is impossible to be mad at it. However, Skip Woods is still writing like he’s had a lobotomy, so the dialogue is solidly rough, and the twists and turns were surely foreseen by the group of twelve-year-old snots sitting a few seats away. My fondness for Reynolds, the fact that Schreiber is a crackerjack and Jackman a major crackerjack, who simply is Wolverine, saved a lot of this film for me. I’ll probably forget it in a few days, but the fact that I wasn't bored for two hours, and the over-the-top finale on the cooling tower gives it just enough bonus points. Edit: Even after the second viewing it still has some energy, but the stupidity is also quite visible. I give it a better three stars.
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The real superheroes here aren’t Wolverine and Sabretooth, but Jackman and Schreiber. Both of their performances, overcoming the clichéd action scenes and almost making you forget about the stupidity of the screen-writing, are nothing short of superhuman. Other than that it’s just a full feature Tide Pod infomercial (Logan’s whitest than white shirt would put John McClane to shame) mixed with 80s B movie classics resulting in an imbalanced cocktail, and even having seen the whole the movie I still can’t tell whether it was taking itself seriously or not.
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