Directed by:
Ryūhei KitamuraCinematography:
Jonathan SelaCast:
Bradley Cooper, Vinnie Jones, Brooke Shields, Leslie Bibb, Peter Jacobson, Roger Bart, Tony Curran, Barbara Eve Harris, Ted Raimi, Quinton 'Rampage' Jackson (more)VOD (2)
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Struggling photographer Leon Kauffman's obsessive pursuit of dark subject matter leads him into the path of a serial killer, Mahogany, the subway murderer who stalks late-night commuters - ultimately butchering them in the most gruesome ways imaginable. (official distributor synopsis)
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Reviews (7)
This thriller has an interesting atmosphere and a slow, creeping pace, spiced up with blood and brutality. But it is fatally dragged down by unsuitable action visuals and especially the ostentatiously cheap effects used for the murders. I might have tolerated this if it was an experimental B-movie by film-school students who don’t know where their talent lies or what genre they’re working in, unnecessarily relying on superficial pop-cultural showiness just to be “in”.
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It's like two directors pitted against each other. One insists on music with every subsequent murder, while the other keeps urging Master Bradley Cooper to act more dramatically and seriously, the bloodier the whole train becomes. And though I like Bradley's acting in a hundred different ways, except for a few romantic scenes, it simply doesn't fit here. Moreover, due to surprisingly bad Leslie Bibb and the entire second half, there was no surprise ending or nice reveal, just an overly fattening gimmick.
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The Midnight Meat Train tries a little too hard than it really needs to when it comes to its script, but it makes up for it with two facts: the great Vinnie Jones, who was simply perfect for the role, and then the special effects, where the flesh and blood really give the impression that you are in a slaughterhouse. A filthy human slaughterhouse. Of course, when a woman hangs by her legs, her breasts hang too...
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Clive Barker has always been one of my favorite horror authors, and the creators of this film managed to adapt one of his stories pretty well. Sure, they had to sprinkle in something extra to bring it to the screen, but overall, I was pretty pleased with the result. It could have gone much worse, believe me. Clive Barker's horror has never shied away from bloodshed (though he knows how to create horror in other ways), and the filmmakers respected that. Instead of action scenes in pitch-black darkness, they went for raw brutality, in which no eye was left in its socket, and the British Terminator was perfect for it. I can't help but wonder if the number of passengers on late-night New York subway trains dropped after the American premiere. / Lesson learned: If you're afraid, don't ride the subway.
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Although it is a stupidly simple film with a bizarre ending, the urban feeling and brutal murders elevate it to at least an average level. Kitamura is a master with the camera, as his tricks would confuse even Michael Bay. For horror fans, there are litres of blood and “off the record” events and it is an absolute must-watch. For the rest of the population, it is a pure WTF matter that someone would throw in a corner while others devour it like a raspberry.
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