Directed by:
David AyerCinematography:
Gabriel BeristainComposer:
Graeme RevellCast:
Keanu Reeves, Forest Whitaker, Hugh Laurie, Chris Evans, Cedric the Entertainer, Jay Mohr, Terry Crews, Naomie Harris, Common, The Game, Martha Higareda (more)VOD (2)
Plots(1)
Reeves stars as Tom Ludlow, a hard-nosed detective with a talent for delivering brutal street justice. When evidence implicates him in the murder of a fellow officer, the violence around Ludlow explodes as he realizes his own life is in danger and he can trust no one. (official distributor synopsis)
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Reviews (9)
Initially a hopefully gritty crime drama, which unfortunately slides towards the end into a boring story on a theme we've seen too many times before. And done better. The ending was strangely clamorous, but without emotion, although it probably should have been there, originally. The action scenes were good though, the best being the second shootout in the apartment. Hugh Laurie unfortunately got very little space.
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Relentless action, positive tough guys, and negative friends with a facade, that's always been my thing and will continue to be. Whether Keanu Reeves reminisces about past trauma with a suffering expression, furrows his brow while pondering the increasing number of corpses, or simply puts on a face that says "touch me and you won't have a hand", pulls out a gun, and goes after everyone he doesn't like, I can't help but be amazed and humbled by the fact that this fast-paced and yet highly convoluted bloody corrupt affair can't be stopped.
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David Ayer understood that as a screenwriter he had already exhausted himself with Training Day, so it was providence that advised him to shake hands with the neo-noir classic James Ellroy. The result is not particularly stunning, the traditional plot about the improved cop/asshole doesn't provide anything new and the director also doesn't do anything special in terms of the formal aspects. Yet the atmosphere of L.A.'s suburbs is literally dripping and the vivacity with which Keanu Reeves runs through the film is incredible. The clenched, pissed-off expression of the stubborn bulldog fits him perfectly and the viewer makes uncompromising cuts into the arm with him, of which there are many. This is Ayer's best film, but I’m not buying the negros, corrupt cops, and dark tough guys for the fourth time.
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And exhausted and stale story about a tough guy who eventually mans up and takes everything bravely into his own hands because he finally realizes he's doing the right thing. It's definitely cheesy, but the director knows it and we know that the director knows it. The action is quite tough – at least that. Keanu Reeves is surprisingly solid as a “punk” with a black car and Forest Whitaker is amazing. The buried bodies and the shots to the face are pleasant bonuses as well. The ending is clear after thirty minutes.
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A story of necessary evil. Following Harsh Times, David Ayer has succeeded with another probe into the underworld of Los Angeles. Ludlow is a great dirty hero who reels out one off the cuff wisecrack after another, and Keanu Reeves is right at home in this strange cowboy’s boots. Forest Whitaker is clearly enjoying his character, and Hugh Laurie has easily shaken off his House image. In terms of the overall plot, it can jump from predictable situations to unexpected and downright surprising endings (e.g. shovel in the head). I admit to a little hesitation in my rating because it wasn't clear-cut. At first I considered giving it 4.5 stars, but this kind of movie is just my cup of tea, and in this genre, Street Kings is the best thing I’ve recently beheld.
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